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Audio Artillery Reviews, excitement, and desire for hardware and software |
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yup. +1 x 100000 to that. Also ontop of EQ'ing like mad in your tune, Multipressors are fantastic for getting certain frequencies come thru your mix a little more than others. The Waves Bundles tend to have some great tools for that. :)
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^ I know it wasn't at me. I just get annoyed at people who claim "you don't do x yourself so you have no call to criticize"
Music especially - you might have put a lot of work into a song but if I don't like it, i'm not going to like it. You don't get an "A for effort" in subjective criticism. |
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i would - especially considering a chunk of those are on your own internet label. Quote:
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I get it - you have some tracks released, you played at Fabric, and you've won an award or two. Sure you should be proud of your accomplishments, but how bout you actually share some of your experience to people wanting to learn rather than being a dick about it. Some people aren't lucky enough to be mentored by someone like Psidream. Last edited by dj_soo; Mar 17, 07 at 02:41 PM. |
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Good for you, so you can now become the "dick".
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15 trax is pretty good, but since I've never heard your trax, I can't say how good those tracks are produced. Let alone, you won't share any filter tips, useful plug-ins, and are here to pass on attitude, does nothing for other producers who have 10 songs ready for the market.
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clipping occurs in every single one of my tunes... don't see a problem with it as long as you are aware of how much it's clipping and how that affects the end result of the track.
i'm not as familiar with cubase as i am with logic, as i've only started using sx3 for the past few months (best thing i ever did), but in logic you could get away with about 3db, give or take, of clipping and still have it sound good. in fact, i often found that clipping in logic would add some dirt to the sound that made it sound BETTER, and not digitally distorted. cubase seems to have better sound quality overall, and i have had things in the reds in cubase and had it sound fine. often i use an eq plugin called eqium to do bandpass sweeps on sounds, and i've found that when i load that plugin up, the master on the plugin will automatically put things into the reds - it's good to watch it, but at the same time, when sweeping across the eq, it will keep some frequencies from jumping out quite as much. sometimes i will take a beat, clip it really really hard, cut the lows, resample, limit it harder, resample again, and then put that overtop of the other beats, and it adds a good full percussive texture (sometimes it doesn't sound good though). dabbler's right, trust your ears.... but that sort of thing takes some time to tune your ears to. often, when finalizing the mp3 to pass out to dj's (i would never do this on the final wav), i will do a little eq, maybe a little compressing or limiting, and then just gain it thru the reds until it's just before i can hear it distorting. this has proven to be a simple yet effective way to get my tunes loud enough, and it hasn't caused any issues in the area of dj support. basically clipping is useful, and shouldn't be completely ruled out. except for dj's - keep that shit out of the reds =) Last edited by psidream; Apr 06, 07 at 02:15 PM. |
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for filtering... ;) TC probably gets away with clipping his shit to death cause of outboard preamps/compressors. Hasn't that always been a part of the valve sound, is great preamps/compressors and a 2inch machine of some sort. I know for a fact that a lot of producers clip inside say reason while their rewiring, as long as you leave headroom on your master fader for vinyl mastering engineers to do their thing it's ok. All tunes i submit to be vinyl mastered have to have 2 versions, a unlimited version and then a version that is the digital master the artist intends it to sound like. This gives a lot of room for the loud ass master that goes to vinyl. nice thread. |