quoting mann,
http://www.cinematical.com/2007/02/1...le-review-300/
"If Braveheart were stripped of its meat, spray-painted gold and served as the poorest of value meals at McDonalds, there's a good chance you'd end up with something resembling 300 -- Zack Snyder's long-awaited adaptation of Frank Miller's graphic novel. Imagine if the front page of (insert the name of a popular muscle magazine) suddenly sprung to life -- in all of its fake tan glory -- and brought with it one of the most overly hyped films in history. You know its bad when the audience laughs at your main villain and, when they boo as the end credits begin to roll, all there's left to do is whisper -- not scream -- "This is Sparta?"
"The enemy comes in all different masks, shapes and sizes, but the fight scenes are way too stylized to effectively engage the audience. Snyder's effects take all the realism out, and the acting (with lines that range from "Spartans Blah Blah Fight!" to "Spartans Blah Blah Attack!") drowns out the passion. There's no doubt Frank Miller's graphic novel is a fun read, but Zack Snyder's interpretation was a boring, fast-food version of better films, with better scripts, better acting and better battles. 300 men fought to defend their freedom but, in the end, 300 people (including me) wanted their two hours back."
http://www.filmbrain.com/filmbrain/2...e_diary_2.html
"the most overtly fascist Hollywood film thing to come out of the North American movie industry since, oh, I dunno, Robocop 2"
"Remember that scene in David Lynch's Dune where Sting, at his overacting worst, screams "I will kill him!"? Now imagine a film where every single line is uttered with the same bombastic fervor, whether deserved or not. This is what 300 delivers, and ridiculous doesn't begin to describe it. With laughable attempts at Shakespearian dialog, this is a film that will appeal only to adolescent fanboys or enthusiasts of greased, half-naked men fighting each other. Forty minutes was all I could manage. 300 might just be the new Showgirls"