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Pre-trance music
Elements of what became modern trance music were explored by industrial artists in the late 1980s. Most notably, Psychic TV's 1989 album Towards Thee Infinite Beat, featuring drawn out and monotonous patterns with short but repeating voice samples, is considered by some to be the first trance album. The intent was to make sound that was hypnotic to its listeners. These industrial artists were largely dissociated from rave culture, and their trance albums were generally experiments, not an attempt to start a new genre with an associated culture -- they remained firmly rooted culturally in industrial and avant-garde music. As trance began to take off in the rave culture, most of these artists abandoned the genre. In these years first complete references to trance as a genre appeared. In 1988 The KLF produced a version of their later popular song - "What Time is Love" titles "The Original Pure Trance" [1]. While this version cannot be considered as Trance by current standards, it is presumably one of the first references to trance in dance music. [edit] Trance begins as a genre Trance is said to have begun as an off-shoot of techno in German clubs during the very early 1990s. Frankfurt is often cited as a birthplace of Trance. Notably pioneer Trance labels like Eye Q, Harthouse, Superstition, Rising High, FAX +49-69/450464 and MFS Records were Frankfurt based. Arguably a fusion of techno and house, early Trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in Europe's club scene at that time. This early Trance tended to be characterized by hypnotic and melodic qualities described above, and typically involved repeating rhythmic patterns added over an appropriate length of time as a track progressed, thus creating an effect of hypnotic trance. At about the same period of time in the early 1990s, a musical revolution was happening in Goa, India. Electronic body music (EBM) bands like Cabaret Voltaire and Front 242 came to Goa and began influencing artists like Goa Gil, Eat Static, Doof, and Man With No Name who heard the psychedelic elements of EBM, expanded on them minus the vocals and guitars to create goa trance. Goa music is heavily influenced by Indian culture and psychedelic drugs, as seen in numerous references to both in track and album titles. [edit] The sound of modern (progressive) trance By the mid-1990s, trance, specifically progressive trance, had emerged commercially as one of the dominant genres of EDM. Progressive trance set in stone the basic formula of modern trance by becoming even more focused on the anthemic basslines and lead melodies, moving away from hypnotic, repetitive, arpeggiated analog synth patterns and spacey pads. Popular elements and anthemic pads became more widespread. Compositions leaned towards incremental changes (aka progressive structures), sometimes composed in thirds (as Brian Transeau frequently does). Buildups and breakdowns became longer and more exaggerated. The sound became more and more excessive and overblown. This sound came to be known as anthem trance. SO THERE YOU HAVE THE HISTORY OF TRANCE THX TO GOOGLE WHUT. Last edited by Technix; Dec 18, 05 at 07:36 PM. |
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And yes I, EMERGENCE have been on the board since Feb 03, get the facts straight. |
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dj kopyright liberation front? lol, he (or she) doesn't have a good handle. |