Quote:
Originally Posted by Krusha
simple patterns, executed well
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This is a key aspect to drumming though, IMHO.
Basically, the way I see it, you have two types of drummers. Insane but sloppy, or ridiculously tight.
When I saw Les Claypool's solo show a couple years ago, he had two percussionists
-One was the drummer and fell into the latter category. The beats he kept were simple, but he had such incredible command over rhythm and beat that it might as well have been a drum machine pitched up. Pat Mahoney from LCD Soundsystem is probably the #1 drummer in that respect - Fast, hard, driving beats that don't lose the tempo any way shape or form.
- The other was a full-on percussionist, who had cowbells (I think he had an entire octave of cowbells), tambourines, xylophones and some drums and cymbals. He didn't have as tight as rhythm but he was WORKING it. A couple of points he was doing these nutso bits on the xylophone and threw in some cymbals. And by threw I mean literally. He throws his drumstick to hit the cymbal and catches it on the rebound and starts playing back on the xylophone with it. Quite spectacular.
There was one point that Claypool, his saxophonist (who was there in lieu of a guitarist) and the chick he had playing one of those chinese somewhere-between-a-scitar-and-a-steel-guitar instruments left the stage and just let the percussionists duke it out. Probably one of the more fantastic points of the show.