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  #1 (permalink)  
Old Jul 29, 09
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Massive Electronic DJ Competition

ELITE ONE PRODUCTIONS

INTERNATIONAL AFFAIRS: ELECTRO SHOCK DJ COMPETITION 2009 – 2010



What's it all about?

DJ competition designed to give exposure to up and coming DJs.

Electro Shock will consist of series/rounds of mini events leading to a Grand Finale in which a winner will be declared. The overall winner will also get to select his time slot at International Affair: After Party. The winner and runner-ups of each event are selected and booked to spin at our upcoming feature events.

With such a competitive market these days and everyone wanting exposure with the hopes of reaching the top, we offer the lesser known DJ a chance to boost their confidence and raise their profile to the industry.



Who does it appeal to?

Any clubber, promotion company, music lover, DJ fan or friends will get the opportunity to watch home grown talent doing what they love best in a safe, friendly and unforgettable environment.
As DJ’s they are given a chance to mix live and in front of a crowd surrounded by people from around the industry and media. They will benefit from the networking experience and media attention this event will offer. With the hopes of growing nationally, this can become a very well known event across Canada and hopefully beyond. With the proper mix of talent and marketing, the right people will become aware of this event as a result of the exposure we offer.

What’s the music policy?

Electronic music (must incorporate at least 3 genres)


Who can enter?

The competition is open to single DJs and DJ groups


If you are interested IM me for FULL details

or

EMAIL: info@eliteoneproductions.com



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  #2 (permalink)  
Old Aug 08, 09
Senior's Avatar
fuck yeah
 
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how much is the prize money? $1000?
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  #3 (permalink)  
Old Aug 08, 09
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pretty vague description. looks dodgey as fuck.
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  #4 (permalink)  
Old Aug 10, 09
BOWSER!
 
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totally. and totally the type of vibe club life so desperately needs right now.
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Old Aug 11, 09
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brentsadowick.com
 
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flash site = legit imo
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  #6 (permalink)  
Old Aug 11, 09
dabbler's Avatar
Art Is Resistance
 
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sounds like someone we all know...
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  #7 (permalink)  
Old Aug 11, 09
PLUR
 
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so what's the problem with submitting a mix? Not like it's hard work, what's the worst that could happen?
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  #8 (permalink)  
Old Aug 11, 09
BOWSER!
 
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a good mix is hard work.
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  #9 (permalink)  
Old Aug 12, 09
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Quote:
Originally Posted by inside View Post
so what's the problem with submitting a mix? Not like it's hard work, what's the worst that could happen?

as far as I can tell the grand prize is just getting to play a set(for free)... so the worst that could happen is you win the "prize" and have to work for free while the promoter sells tickets to your friends and any other sucker who fell for this... if the event even happens- i doubt it will. dodgey dodgey
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  #10 (permalink)  
Old Aug 12, 09
PLUR
 
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Quote:
Originally Posted by kir mokum View Post
a good mix is hard work.
maybe getting to the point where you have enough skill to lock down a good mix is hard work, once you have the skill it's nothing. Promoting yourself as a dj/producer is harder work for me, i hate it!
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  #11 (permalink)  
Old Aug 12, 09
PLUR
 
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BTW it's also hard work digging to find good tracks as well IMO.
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  #12 (permalink)  
Old Aug 12, 09
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Yeah, there's a lot more to putting together a good mix than just having skill.

DJing is probably 90% preparation, and the other half is execution.

(Apologies to Yogi)

Furthermore, some of the most talented DJs I know of still need to do some touching up in the studio. Doing a one-take demo is notably tough since all it takes is one tiny fuckup, a little misalignment of beats, and you've gotta start all over.
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  #13 (permalink)  
Old Aug 12, 09
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Quote:
Originally Posted by inside View Post
maybe getting to the point where you have enough skill to lock down a good mix is hard work, once you have the skill it's nothing. Promoting yourself as a dj/producer is harder work for me, i hate it!
it depends how much work you put into it and what kind of quality your aiming for. many pros take weeks even months to put together quality mixtapes for their fans.

Take a dj like Scratch Bastid vs. any run of the mill house dj, compare the kind of sets they put out and you'll see what i mean (maybe). His mix releases are events in themselves, while other guys mixes are soon forgotten if not ignored entirely.
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  #14 (permalink)  
Old Aug 12, 09
PLUR
 
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Quote:
Originally Posted by ebbomega View Post
Yeah, there's a lot more to putting together a good mix than just having skill.

DJing is probably 90% preparation, and the other half is execution.

(Apologies to Yogi)

Furthermore, some of the most talented DJs I know of still need to do some touching up in the studio. Doing a one-take demo is notably tough since all it takes is one tiny fuckup, a little misalignment of beats, and you've gotta start all over.
There's no need to do touching up in the studio anymore becasue of all the different software/harware packages that allow you to not even need to beat match cause it is all done automatically.
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  #15 (permalink)  
Old Aug 12, 09
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And you think rigging up that software to do that doesn't take effort?

I'd almost argue that doing _that_ would likely end up taking you even more time in preparation. So again your argument that this should be quick and easy is null and void.

Not to mention, doing it that way _hardly_ gives you an example of what a live set would sound like, unless you're ableton DJing. But again, that involves copious amounts of prepwork.
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  #16 (permalink)  
Old Aug 12, 09
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Quote:
Originally Posted by ebbomega View Post

Not to mention, doing it that way _hardly_ gives you an example of what a live set would sound like, unless you're ableton DJing. .
if anything ableton is the software dj option that requires the least live work and the most pre-gig prep.... or did you mean live pa ableton sets?


To comment on inside's post... beatgridding or warping tracks only solves the issue of beatmatching errors. There are many other issues that present themselves that can require attention in an audio editor for instance; levels, deck gains, eqing, last minute playlist alterations, last minute cue point alterations etc etc.

I'm working on my first dj mix with tracks that I beatgridded beforehand and it's still taking me just as long to make this mix as it's taken me to create mixes using manual beatmatching.
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  #17 (permalink)  
Old Aug 12, 09
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should not confuse constructing a set in Live and actually Performing with it. 2 different things really.
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  #18 (permalink)  
Old Aug 12, 09
PLUR
 
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Total Computer DJ in a Box Computer DJ System

*is not going to turn this into a pissing contest*
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  #19 (permalink)  
Old Aug 12, 09
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Quote:
Originally Posted by inside View Post
Total Computer DJ in a Box Computer DJ System

*is not going to turn this into a pissing contest*

^^not to be confused with the "Instant DJ ToolBox"
/jokes
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  #20 (permalink)  
Old Aug 13, 09
Avana
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Quote:
Originally Posted by inside View Post
Total Computer DJ in a Box Computer DJ System

*is not going to turn this into a pissing contest*
says the guy who isn't getting gigs to the guy who is getting weekly paid gigs out.....


hrrmmmmm....
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  #21 (permalink)  
Old Aug 13, 09
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Quote:
Originally Posted by inside View Post
maybe getting to the point where you have enough skill to lock down a good mix is hard work, once you have the skill it's nothing. Promoting yourself as a dj/producer is harder work for me, i hate it!
All that says to me is, you've reached the minimum skill level to make a passable mix set and decided you don't need to push yourself any further. I know lots of veteran DJs who still put blood, sweat & tears into making a mixtape. Put more work into your mixes & the promo will come easier.

don't get me started on the auto-mix sofware either, that isn't DJing
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  #22 (permalink)  
Old Aug 13, 09
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Originally Posted by Wood View Post
don't get me started on the auto-mix sofware either, that isn't DJing
I agree it isnt DJing. With software like ableton its performing.
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  #23 (permalink)  
Old Aug 13, 09
woodnsoo.com
 
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^true, there are a lot of performers who do cool & interesting things with Ableton & other wares. But if you're just using it as a substitute for learning the skills to do the same thing an average DJ does, that's weak imo.

Played a show last year with a guy who'd been flown in from somewhere in the states and his set consisted of him pressing 'play' on a completely pre-recorded set in ableton live. No joke, we took a look at the screen while he was playing and it was just one long file on one channel. Best part was, almost every 'mix' was still a horrible train wreck.
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  #24 (permalink)  
Old Aug 13, 09
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Quote:
Originally Posted by Phrenetic View Post
I agree it isnt DJing. With software like ableton its performing.

not necessarily... Microwave DJs at djtechtools.com


ableton is dope as hell but it leaves alot to be desired for djing.... I've only heard a small handful of djs use it to it's full potential , like Moldover for instance..but it seems like most the time it's straight up microwave styles similar to the guy wood is talkin about....

Last edited by -evil-duerr-; Aug 13, 09 at 11:17 AM.
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  #25 (permalink)  
Old Aug 13, 09
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Sex Attack threw down a wicked ableton set at LLW last year.

Ableton is like Live PA (which makes sense since a lot of people use it to control their Live PA rigs). You can decide your level of performance involvement in it. But to be perfectly honest, if you're not doing something real-time about it then you stand a really good chance of losing your audience. Part of the performance of DJing is being able to read your crowd.
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