|
Simply Music All genres, hot artists, track ID and general discussion |
|
LinkBack | Topic Tools | Rate Topic |
|
|||
Shure Whitelabels
Yeah baby! I got three of these bad mammajammas yesterday. The signal quality is strong and so is the volume, however, i went out to play a show last night and the decks weren't set up for whitelabels, more like flip the weight around and set the height to the highest. Man that shit was skipping everywhere on my new records. I couldn't figure out why until the doods from guitar center who sold me them showed up (friends are cool) and I bitched about these janky needles. they told me there was nothing wrong with them, that it was just me. i told them i'd fix it myself, and to fuck off. god i love these needles.
|
|
|||
turns out with these needles you actually have to use a certain weight in grams for the tonearm, wish i actually knew how to do that, everywhere i have ever played people just flip the weight around in order to solve the issue of skipping needles.
i think i got it now though... |
|
|||
well the sound quality alone is a punch in the jaw of my ortofons. i read up on the whites and i just need to actually use the included screwdriver and set them up for use. i had noticed they weren't angled right before but figured that was how they were sposed to be. wrong i was. as for pretty (shut up lauren), yeah i guess they are, but really they make sense. they are a 1 peice headshell and cartridge (like the ortofons) that is fully adjustable to your mixing style (unlike the ortofons). of course this means i am going to have to use very different table settings than i am used to when i get up to play, but i guess that's coo (as long as i can remember to do it). Initial setup is the key here.
for those who care Shure recommends setting the turntable to a 3-5mm height, the tracking force to 3 grams. Then actually shortening the stylus overhang by using that included screwdriver (to 50-51mm total length) for best skip resistance. for highest fidelity/lowest record wear, they recommend setting your height and overhang appropriately for your turntable, setting your tracking force between 1.5 and 3 grams and setting your antiskate to the same setting. Last edited by jmzD; Aug 29, 03 at 09:22 PM. |
|
|||
i don't care who endorses them, if you know how to adjust a turntable, they work fine, and they sound amazing. i've used ortofons for 5 years, but as of so far, if it came down to it, i would get rid of them and keep the whitelabels.
Last edited by jmzD; Aug 31, 03 at 10:03 PM. |
|
|||
i love em. you need to balance them right, they're much heavier than most cartridges so that means the counter weight should sit a little further back than usual, you definitely don't want to crank the weight or reverse it with these. I'm not aware of another 1-piece on the market that has the adjustable stylus position - which is kind of why i've steered clear of 1-pieces for the past few years. You can't beat the convenience though, and the sound quality & loudness are great. I had the same skipping issues when i first got them, they're not really the carts you wanna bring with you to a gig, unless you're super quick at balancing... but for home use, i've yet to find a better cartridge.
|
|
|||
Quote:
john 2899131 |
|
|||
Quote:
besides, it's just a needle, it doesn't affect my mixing technique so there's no problems with being 'used to' one type or another... i take my M35S's to gigs, they're much more than adequate Last edited by Wood; Sep 01, 03 at 03:21 PM. |
|
|||
i know its not too technical, seeing as every deck isn't the same, but i just use take the settings from my home setup. when i go out to play i use them as a base and then adjust the weight a little heavier to prevent skipping. it doesn't take too long at all.
|
|
|||
Quote:
To each their own. |
|
|