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So lets talk mixers.....
Just wondering what everyones preferences were on their mixers. Im not asking for tips on pickin mixers or anything so dont stop at finances, whats the nicest/beautifulestnessness mixer you've ever seen or played with?
Odviously mixers depend on the style of moosic ur makin - but all the same. I like the Rane Empath, not quite my favorite (not enough effects involved), but can definantly fine toon the sound nicely. Alien and Heath Zone 62 dj mixer is also quite a nice peice of beaut. Havent tried this one - but sounds like it gives you nice control over the different aspects of the beat. So......whats your mixer of choice |
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Rather then only talking in financial terms - Im talking about daydreaming and showin some of the mixers that you have dreams about (and we all know you do ;)). The Pioneer Pro djm 909 battle mixer is a beaut as well |
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I'd like to try out the new Pioneer battle mixers just to see what the faders are like. |
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The ecler runs external Magnetic crossfader. Sooo smooth, like butter, i like how they have High and Low level line inputs. The efx crossfader plus the adjustments u can make with the efx knobs can create some nice effects. The EQ knobs are nice a big, and i find the layout is non-restrictive and easy to use after a little practice.
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i just recently saw the 909 in use with Final Scratch (on an mac iBook) and it was craziness watching both the program and mixer spread it's wings. apparently the 909 is the prefered mixer by Jazzy Jeff. and that's cool with me.
Also, akeel posted a crazy pic of the djm1000 and that looks fucking nuts. I'm still a huge fan of the 600, but i don't get to see much more than what you guys post about. i work too damned much. COME ON!!! post about more!! |
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a good mixer well let you control all aspects of the beat. u know the beat. that u wanna control. with the mixer. beaut! |
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Optical Faders
Optical crossfaders are a relatively new addition to the high-end mixer market. These are mostly implemented in VCA style circuit. An optical fader typically consists of an LED transmitter aimed at a photo-detector with a shutter that slides between the two. As the shutter blocks the light path the output of photo-detector's is changed. This control voltage is then sent to the VCAs as in the previous block diagram. The benefit of this design is the absence of physical contact between the shutter and the optics. This eliminates friction, wear and tear, and travel noise. These faders often have precision ball-bearings that offer extremely long life. There are cheap optical faders though. These use a photo-resistor in the detection circuit instead of a transistor or diode. The resistor designs respond slower to changes and they're fading profiles are not as repeatable with time and temperature. Magnetic Faders The design uses non-contact technology previously reserved for the most demanding aerospace and industrial applications. No travel noise -- no bleed -- ever. Unlike optical non-contact faders, magnetic faders are impervious to smoke, moisture, temperature, ambient light and aging. (You know, only the stuff you run into at every club.) The electrical performance of the new fader is -- literally -- unaffected by use. I use an Ecler HAK 360 - It's 2nd only to the Rane 56 as the best battle mixer on the market. Last edited by angst; Feb 02, 05 at 02:44 PM. |
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Last edited by angst; Feb 02, 05 at 06:17 PM. |
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