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if you're saving as an MP3, make *certain* that you're using the LAME encoder.
There are other encoders that do a decent job, but LAME does the best job, and if you're making archival backups it's worth doing the best job possible. I suggest at least 192k, stereo, no VBR. |
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well, i suppose you can do some batch processing depending on which programs you have, but ideally you'd probably want to check all the tunes yourself to make sure the levels are more or less consistent anyway.
read somewhere that jazzy jeff took 6 months straight to transfer all his vinyl into digital format :o. |
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Y'know, I have to say...
I do not have "golden ears", tho I had my hearing tested last year and didn't show any signs of loss, despite being in loud places a fair amount over the years (now I always wear earplugs). However, I've done blind tests in my studio (Mackie HR824 monitors, Tannoy sub, carefully tuned room), and I cannot tell the difference between a LAME-encoded 192k MP3 and a 44.1k/16bit WAV. I can tell between 44.1khz/16bit WAV and 160k MP3, but even that's hard, you have to listen really closely to the high and low end, it shows in the "air" after a cymbal hit, or the tail of a deep bassline. 192k and higher, no perceptable difference for me. Well, except, y'know, the insane difference in filesize. I'm not saying to avoid WAV, but I'd love to hear some folks personal test results. If I were trying to make an archival copy of my record collection (if I had a record collection, heh), I'd either say encode at 256k or 320k mp3 and screw WAV, or record at 24bit/48khz WAV. Recording at 16bit/44.1khz, IMHO you're not gaining anything over 256k MP3 except a lot more money on hard drive space and blank DVDs. |