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Decent pair of studio monitors for $400 (pair)?
Can anyone recommend to me a good pair of studio monitors that cost around $400 (CAD) for the pair?
Active vs. Passive: i dont really care. I have an amp at home Frequency Range: 40 HZ - ?? Khz? (they're for dnb so they need to have a good bottom end) Thanks in advance |
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The main trick is to really know your speakers; listen to stupid amounts of music on them, basically. You can also rent a reference mic for the weekend, sit the mic where you usually sit, and play a sinewave sweep from 20hz-20khz while recording the mic output... examine the waveform in software, and you'll be able to see where the peaks and valleys of your monitoring setup are... Last edited by mux; Apr 12, 06 at 12:37 PM. |
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Thankyou for your response. Very helpful! A few more questions arising from your response. after reading that im pretty much sold on active monitors:
Are active monitors typically more expensive/highend? Where can you purchase used monitors in Vancouver? What about wear and tear? will the high end become dull with excessive usage? What would you consider a good upper frequency limit? The human ear, if lucky, can only hear 20Khz, but I notice that some monitors actually go up to 40Khz. Is this just some marketing gimmick? or do you see any value of being able to hear above 20Khz? Quote:
Last edited by Junglist; Apr 12, 06 at 01:35 PM. |
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Heres a couple monitors in my price range:
KRK: http://www.tomleemusic.ca/main/recor...168&inv=107801 Events: way out of my price range unfortunatly Behringer: http://www.tomleemusic.ca/main/recor...=168&inv=96361 What about M-Audio? are they a new market player? their prices seem reasonable |
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The important spec with monitors isn't the range of the frequency response, but how far it deviates from flat at any point within that range. Most will say 20hz to 20Khz +/- 3 db or something to that effect. The smaller the number of deviation the better, but even more important is where the diviation is in the frequency response of the monitors. Some manufaturers will provide a chart to show that sort of thing, this can be really helpful. I wouldn't worry about the 40Khz thing, anything that high in frequency won't influence decisions, even if you can hear it.
Also, in my experience quality monitors with a quality amp will generally sound better than active monitors. They have to fit the amp in the cabinet, which opens the door to design flaws acoustically, and corners cut with component quality based on space and budget (most active monitors are aimed at the home studio market). I have never seen active monitors in a professional mixing/recording studio. Some great advice from mux in his previous post, don't have much to add to that, but I don't recommend using subs at all, at least when you're mixing. They are more often then not callibrated improperly, and you will end up mixing your songs light in low end to compensate. Get some good full frequency monitors and you will be able to guage bass response more accurately. As for brands, I've heard good things about some of the KRK models. I'm not a fan of Tannoy stuff for the most part, and Behringer makes some pretty half assed stuff all around (although I haven't heard those particular monitors, so who knows...) |
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KRK sounds good to me over the truths, dont really like the sound of the cabinet. Picking monitors is really going to depend on your mixing style, I have the Tom Lee guy telling me all the time he mixes on dynaudios and he thinks theyre the greatest sounding speakers but he hasnt learned how to mix on them, So bare in mind as these guys said up a few posts that you should play a crap load of ref material on them (stuff you know like the back of your hand and have heard on many systems) Really like the Event Studio Precision 8s i have now, definately recommend the 6's for budget speaks.
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Where'd ja get 'em, good price? Lots of ppl on tranceaddict.com like the KRKs.
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