Sep 05, 02
|
|||
|
|||
|
We create dependable, quality products to solve Year 2000-related problems on personal computers. All orders are delivered immediately by Internet download.
Year 2000 BIOS clock errors occur in the vast majority of PC models built prior to 1997 and a good fraction of models built in 1997 (see link below). We offer a reliable software solution called ACCUTE-DATE to the Year 2000 BIOS clock problem in IBM PC-compatible computers. This problem is also known as the Year 2000 real-time clock (RTC) problem or Year 2000 clock bug. ACCUTE-DATE uses a powerful PATENT-PENDING method designed to solve even the toughest types of errors, including errors where the year switches repeatedly to 2094 or 2096 (click for details). What would you like to do? I'm ready to Order. Go to Order Page. I need some Info about ACCUTE-DATE. My PC has a year 2094 or 2096 error. Help!!! I need Price and Ordering Info for ACCUTE-DATE. I would like to see a Y2K Tutorial Video. I need Site License Info. I need Reseller Info. I want to run a Y2K Test on my PC's. Year 2000 BIOS Clock Complete info about ACCUTE-DATE and the Year 2000 BIOS/clock problem. How Common are PC Year 2000 (Y2K) BIOS/Clock Problems? In a published 1997 study of 500 PC models, 93% of pre-1997 PC's failed Year 2000 tests. 47% of 1997 PC's failed Year 2000 tests. Symptoms of PC Year 2000(Y2K) BIOS/Clock Errors A description of errors caused by the Year 2000 problem in the BIOS clock services. Why ACCUTE-DATE is a Superior, Dependable Y2K Solution You can rely on ACCUTE-DATE because it provides very broad coverage of Year 2000 BIOS/clock errors. Year 2000 Guide Introductory articles about the Year 2000 Problem and how it will affect PC's. Click here to get on our mailing list for useful Y2K help, tips, and product info! Click here to Order Now. Navigation buttons are on the upper left, or click here for our home page. Entire Contents of this Website are Copyright (C) 1999 ACCUTE. Please click here for complete copyright and legal disclaimer notice. 
|
|
Sep 05, 02
|
|||
|
|||
|
DJ Sharaz - daylight - big c. feat. alice
DJ Sharaz - right here, right now (original mix) - dj gazoo w/ the domingo brothers DJ Sharaz - good life (way out west remix) - inner city DJ Sharaz - yim - jez & choopie DJ Sharaz - shadow - dj infiniti w/ keith mackenzie DJ Sharaz - superfly (zouk club mix) - electrotek DJ Sharaz - you ask for the moon - afrika bambaataa DJ Sharaz - switched (sharaz dubology mix) DJ Sharaz - kutt free - jinx DJ Sharaz - the westemer - general midi DJ Sharaz - hide u - kosheen DJ Sharaz - bad habit - atfc and one phatdeeva DJ Voodoo - Thrid Input - DJ Hip - E & Wutam DJ Voodoo - Yummy (Mr. Night Lifes One Mix) - Andy Hughes DJ Voodoo - Listen (KJ's Bullfrog Mix) - DJ Rob - E DJ Voodoo - Wollop Da Trollop (Geo Javier's Getto Blaster Mix) - DJ Liquid DJ Voodoo - Smoke Marijuana - The Funklab DJ Voodoo - How I Work It - DJ D - Love DJ Voodoo - Hallucinogen - The Funklab DJ Voodoo - The Devil Does Acid - DJ Demonixx DJ Voodoo - Busted (Yankuza's Ancient Chinese Secret Remix) - Beatseed DJ Voodoo - Break Of Dawn - D - Love DJ Voodoo - Sugar High (DJ Rob - E's Phat Pharm Remix) - Subculture DJ Voodoo - Can You Feel It- (DJ X Mix) - Chris Gallager Ed Rush & Optical - Packman Ed Rush & Optical - The Creeps Ed Rush & Optical - White Lightning (Optical & Ryme Tyme) Ed Rush & Optical - Checkout Time Ed Rush & Optical - Resurrection (Lyrics By Ryme Tyme, Ed Rush & Optical) Ed Rush & Optical - Reach Out Ed Rush & Optical - Rock Tha House Ed Rush & Optical - Greed Ed Rush & Optical - Flightpath (Addition Production By Matrix) Ed Rush & Optical - Fastlane (Lyrics By Ryme Tyme, Ed Rush & Optical, Basim. Additional Production By Matrix) 01 - Fuselage - Seize The Time 02 - Hawkshaw - Dave Allen at Large (Freestylers Fresh Mix Up!) 03 - C&C Music Factory - Do You Wanna Get Funky (Freestylers Fresh Mix Up!) 04 - Sir Drew - Let's Get Some Girls 05 - Eric B & Rakim - Juice (Know The Ledge) [Main Mix] 06 - Bowser - I Need More Than Time (Meard St Mix) 07 - Whodini - Magic's Wand (Freestylers Phat Party Vocal Mix) 08 - Cut and Paste - Cut and Paste 09 - Arthur Baker - Breaker's Revenge (Freestylers B-Boy Mix) 10 - Freestylers - Breaker Beats 11 - Freestylers - Drop The Boom 12 - Freestyle - Don't Stop The Rock 13 - Freestylers - Don't Stop 14 - Information Society - Running 15 - DeeJay Punk Roc - My Beatbox 16 - Star & Garta - Blimey! 17 - Damage Control - Da Pumped Up Phunk (In Da Sol Mix) 18 - Soul of Man - Between The Eyes 19 - Crustation - Purple (Freestylers Mix) 20 - Peace by Piece - Nobody's Business (Nosey Parker Mix)
|
|
Sep 05, 02
|
|||
|
|||
|
Fifty Years of Coca-Cola Television Advertisements: Highlights from the Motion Picture Archives at the Library of Congress presents a variety of television advertisements, never-broadcast outtakes, and experimental footage reflecting the historical development of television advertising for a major commercial product. The online collection includes five excerpts from stop-motion advertising developed for Coca-Cola between 1954 and 1956 by the D'Arcy agency and makes public for the first time eighteen excerpts from the Experimental TV Color Project of 1964, which determined the best lighting for the cans, bottles, and performers in television advertisements. Featured advertisements include the 1971 "Hilltop" commercial with an international group of young people on an Italian hilltop singing "I'd Like to Buy the World a Coke"; the "Mean Joe Greene" commercial from 1979; the first "Polar Bear" commercial from 1993; the "Snowflake" commercial from 1999; and "First Experience," an international commercial filmed in Morocco in 1999.
-------------------------------------------------------------------------------- The mission of the Library of Congress is to make its resources available and useful to Congress and the American people and to sustain and preserve a universal collection of knowledge and creativity for future generations. The goal of the Library's National Digital Library Program is to offer broad public access to a wide range of historical and cultural documents as a contribution to education and lifelong learning. The Library of Congress presents these documents as part of the record of the past. These primary historical documents reflect the attitudes, perspectives, and beliefs of different times. The Library of Congress does not endorse the views expressed in these collections, which may contain materials offensive to some readers. -------------------------------------------------------------------------------- Special Presentations: Highlights in the History of Coca-Cola Television Advertising Timeline: Advertising Themes The "Hilltop" Ad: The Story of a Commercial Television Advertising: A Brief History Biography of Dr. John S. Pemberton, Inventor of Coca-Cola Beverage Industry: Celebrating 50 Years of Service -------------------------------------------------------------------------------- About the Collection Building the Digital Collection Television-Commercial Finding Aids from the Library of Congress How to View Videos Selected Bibliography Copyright and Other Rest rictions Collection Connections Acknowledgments -------------------------------------------------------------------------------- American Memory | Search All Collections | Collection Finder | Learning Page -------------------------------------------------------------------------------- The Library of Congress Contact Us Please Read Our Nov-29-00
|
|
Sep 05, 02
|
|||
|
|||
|
01 - Freakpower - No Way
02 - Audioweb - Policeman Skank (Freestylers Rinse Out Mix) 03 - Pick'N'Mixed - Twisted Ska 04 - El Magnifico - The New Style 05 - Soul Hooligan - Sweet Pea 06 - Wubble-U - Petal (Freestylers Top Rock Remix) 07 - T Zant feat. The Original ODC.MC - Sounds Of Wickedness (PF Project Def Scratch Mix) 08 - The Wiseguys - Ooh La La (Full Length) 09 - Krafty Kuts - Super Funky Dope 10 - Skeewiff - Rock Da House Live 11 - Psychedeliasmith - Fixy Jointy (Fatboy Slim Mix) 12 - Freestylers - Spaced Invader 13 - DJ Pooch - Let The Bass Roll (Original Mix) 14 - Dance Conspiracy - Dub War 15 - DJ Pooch - Let The Bass Roll (D&B Mix) 16 - Aphrodite & Mickey Finn - Drop Top Caddy 17 - 187 Lockdown - Kung Fu (Prisoners of Technology Mix) 18 - Jungle Brothers - Jungle Brother (Urban Takeover Mix) Mario Piu - Library (Library 2 Mix) Mr Bishi - Throw Your Hands In The Air 666 - Devil The Pitcher - Dropshot Hard House Anthems 3 - 05 Stimulant DJ's - Kickin' da Alex K - U Got It Bob Burns Jr - Rock Hard 2000 (Champion Burns Remix) Stretch n' Vern - That Sound (Nick Sentience Remix) Brainbashers - Do It Now (Lock 'N Load Remix) Lemon 8 - Bells Of Revolution (Steve Thomas Mix) Pale X - Nitro Storm - Time To Burn BK - Clattered The Ron - In Ya Neighbourhood (Diablo Mix) Chris C - Get On The Floor (Dynamic Intervention Remix) Lisa Pin-Up - Future Acid House (BK Mix) Lisa Lashes - Dance 2 The House (Don't Go) NUKLEUZ - FERGIE & BK - Hoovers & Horns (Hard House Anthems 3) Ingo - Like This Ingo - Ready 4 Dis The Originator - Give It All You've Got The Shrink - Are You Ready To Party Artemesia - Bits And Pieces Phat B - And Da Drum Machine Vinyl Groover & The Red Head - Move Your Body Modula - Shake (Equinox Mix) Dan Madams & Little Jon - Floor Burn Praga Khan - Injected With A Poison BK - (Let The) Rhythm Move You (BK Hard Beat Mix) BK - Don't Give Up Andy Farley - The Killer Ian M - No Way Tony De Vit - The Dawn (Paul James Remix) Jonah - Sssst (Listen) (Pants & Corset Remix) 01 - tony faline - get up 02 - dj volume - put i 03 - dj huda hudia - drop the bass now 04 - dj hart - the fun 05 - dj hart - yet ano 06 - dj volume - ride the funk 07 - shaka - why u bum 08 - chris gallagher- can you feel it 09 - johnny dangerousl 10 - sugarwood - orche 11 - dj huda hudia - c 12 - tony faline - let
|
|
Sep 05, 02
|
|||
|
|||
|
DJ Volume - Get Loose
Huda Hudia - Let me see if you can dance Huda Hudia - Clap to This Huda Hudia - Drop the Bass Now (DJ Volume's Remix) Huda Hudia - Hype Da Funk - Exshenes The Tweakers - All Tweaked Out DJ Eclipse - This is the Beat Sharaz - Gravity Huda Hudia - Pump it Up (Tony Faline Remix) Tony Faline - Mind Over Matter DJ Huda Hudia - Sonic State - The Sound (DJ Hu Huda Hudia - Track 01 Huda Hudia - Track 02 Huda Hudia - Track 03 Huda Hudia - Track 04 Huda Hudia - Track 05 Huda Hudia - Track 06 Huda Hudia - Track 07 Huda Hudia - Track 08 Huda Hudia - Track 09 Huda Hudia - Track 10 Huda Hudia - Track 11 Huda Hudia - Track 12 Huda Hudia - Track 13 Huda Hudia - Track 14 Huda Hudia - Track 15 Ils - Next Level Ils - Are You Ready Ils - Prohibition Ils - Only Way To Survive Ils - Unbreakable Ils - Western World Ils - No Soul Ils - Feel Alright Ils - Kashmir Ils - Music Ils - Send Them Back To Me Ils - Trapped Unknown Artist - Track 1 Unknown Artist - Track 2 Unknown Artist - Track 3 Unknown Artist - Track 4 Unknown Artist - Track 5 Unknown Artist - Track 6 Unknown Artist - Track 7 Unknown Artist - Track 8 Unknown Artist - Track 9 Unknown Artist - Track 10 Unknown Artist - Track 11 Unknown Artist - Track 12 apex - symmetry (nubreed rmx) ascender - altitudes (hyper & rhymes mix) spek (hyper & rhymes mix) - look me up rennie pilgrem & blim - eskimo (yellow snow mix) rennie pilgrem and meat katie - rubba quinn kurbkrawler whalley - hold tight pmt - gyromancer (false prophet mix) pmt (koma & bones rmx) - deeper water koma & bones - face facts koma & bones - morpheus bladey (fearless young orphan mix) - the nelson effect beber & tamra (koma & bones rmx) - travellin' on koma & bones - button monkey Koma And Bones - Forged Minds Koma And Bones - Fundamental Koma And Bones - Northern Shuffle Koma And Bones - Morpheus Koma And Bones - Kicks Koma And Bones - Dirty Fathoms Koma And Bones - Dead Beat Koma And Bones - High Rollin' Koma And Bones - Powercut Koma And Bones - Unseen Enemy 01 - Intro 02 - Soul Vibration 03 - Bronx Slang 04 - Turn The Party Out 05 - Cramp Your Style 06 - Stool Pigeon 07 - Ill Type Sound 08 - Burning Spear 09 - Get Down 10 - The Funk 11 - The Crowd Seems To... 12 - Bushes 13 - Star 69 14 - Chunka Funk 15 - Hook You Up 16 - Amped 17 - The Juice 18 - Work Ya body 19 - Stakker Humanoid 2001 20 - Take It 21 - Killa Brew 22 - Wait For The break 23 - Da Antidote 24 - Street Freakz 25 - Get Funky 26 - Injected With A Poison 27 - Always True 28 - Blow My Mind 29 - Funky Ass Beats 30 - Lock The Hype 31 - Dopestyle 32 - Walk And Skank
|
|
Sep 05, 02
|
|||
|
|||
|
Buckfunk 3000 - Jump
DJ Icey - Frequent Yet Vague Krafty Kuts - Funky Ass Beats Jinx - Creamybelta Drummatic Twins - Thinkin About You Baby Basement Jaxx - Where's Your Head At (Stanton Warriors mix) Jammin - Go DJ Jinx - Kutt Free T-Power - Running (BLIM mix) Blame - Music Takes You (BLIM Mix) Soto - Hold On (R-Kidz & Noize Mix) Mind Muggers - Get Your Freak On Brothers Love Dub - The Mighty Ming (Plump DJ's mix) Beber & Tamra - Travelling On (Koma & Bones mix) Aquasky vs Masterbalster - Megatron Backdraft - Fool Rennie Pilgrem & Arthur Baker - Face It (Rennie Pilgrem's New York Mix) DJ Who - Crusher (Pilgrem Edit) Elite Force - Haiku Meat Katie & Dylan Rhymes - Moist (Koma & Bones Mix) Kosheen - Hide You (Koma & Bones Remix) Uberzone & Rennie Pilgrem - Black Widow (V.I.P Mix) Player one - Ha Ha DJ Zinc - Hello Kemek the Dope Computer - Angel Dust Aquasky vs Masterblaster - Loko (Masterblaster Dub Remix) Plazzy Mods - Lock Loaded Phil Keiran - Voices in My Head (Plastic Perverts Remix) Bluelight Fever - DJ (BLIM Burglar Remix) Blame - Music Takes You (Blim Remix) The Insiders - Disciples of the Watch Almighty Beatfreakz - Resident Soundboyz Laidback - God Can't Stop Freq Nasty - Amped (Dub) Freq Nasty vs Public Enemy - Amp the Noise Uberzone & Rennie Pilgrem - Black Widow (VIP Mix) Player One - Ha Ha Taishan - Dub Hypnosis Cirrus - Ghetto Blaster Cirrus - Stop And Panic (DJ Dan Remix) Carl Cox - Dr Funk (Rhythm Masters Remix) The Freshmaka - La La La (Sharp Floor Rage Rmx Top Kat - Feel Cool Big Johnson - To Tha Beat DJ Dan Presents Needle Damage - That Zipper Track (Needle Dubb Micro - Sound Barrier (Dfust Remix) Cleveland Lounge - Drowning (Joshua Ryan Remix) Keoki - Pass It On Omar Santana - Ravers Damnation (Deepsky Remi The Freshmaka - The Freshest (Dustlabs Born-on Cleveland Lounge - Drowning (AK 1200 Remix) man'o'war - the sting (influenza remix) unreasonable behaviour - lost world (remix) dj vela - irresistable (10 sui mix) koma & bones - high rollin (ffs mix) meat katie - little dancing girl meat katie - cumshot flack jacket - days gone by koma & bones - deadbeat (tag on a toe remix) terminalhead - beats, rhymes flavour player one - rapture trainer trash - kill that noise koma & bones - powercut (rewired mix) blim & rennie pilgrem - eskimo (yellow snow remix) spork - freeek like me Tipper - Twister Tales From the Hardside - Chemical Meltdown Tsumani One - Dawn of the Standing Wave Wizard of Oh - Off to Demention X Bonobo - Full Stop Mild-Mannered Janitors - Q-Babs Electroliners - Loose Caboose Industrial Bass Machine - The Voice of World Control Hard Hop Heathen - Double Dove The Bleachers - Zemoto Tipper - Get Up On Your Feet Jaguar - Animal Twenty Twelve - Ecstatic Omar Santana vs BLIM - Track 01 Omar Santana vs BLIM - Track 02 Omar Santana vs BLIM - Track 03 Omar Santana vs BLIM - Track 04 Omar Santana vs BLIM - Track 05 Omar Santana vs BLIM - Track 06 Omar Santana vs BLIM - Track 07 Omar Santana vs BLIM - Track 08 Omar Santana vs BLIM - Track 09 Omar Santana vs BLIM - Track 10
|
|
Sep 05, 02
|
|||
|
|||
|
Plump DJs - Remember My Name
Elektronauts - Bumper (Plump DJs Vocal Mix) Krafty Kuts - Dangerous (Instrumental Mix) Freq Nasty and Dee Kline - Every Posse & Crew Plump DJs - Big Groovy Fucker General Midi - The Westerner DJ Icey - Wanna Do It Belushi - Evolution Proper Filthy Naughty - Stich Up Plump DJs - Fever Funkaholics - Sneaker Plump DJs - Electric Disco De-Phazz feat. Pat Appleton - The Mambo Craze (Tribal Vocoder Mix) Primitive Urges - Untitled DJ Technique - My Definition (Lee Coombs Acid House Breaks Mix) Soul of Man - Scatterbox Plump DJs - Scram Stakker - Stakker Humanoid (Plump DJs 2001 Re-Touch) Mint Royale - Take It Easy (Plump DJs Mix) NY Connection - Bless the Funk Lee Coombs & The Drum-Attic Twins - Tribal Tension (Tribal Breaks Mix) Meat Katie - Dirty South Sky Box - The Break (Pierre Js Cut Up Remix) The Criminal Element Orchestra - Put The Needle To The Record (Lee Coombs & The Drum-Attic Twins remix) Meat Katie - Rotten.Com Soul Of Man - Killa Brew (Killa Mix) Koma & Bones - Fade In (The Program) Only Kismet - Gameboy (Terminalheads Mix) Freq Nasty - Thats My Style Tim Wright - The Searcher Plump DJs - Scram Beber & Tamra - Travelling On (Koma & Bones Remix) disco assassins - hook you up zero b - lock up (original mix) a2z - apache breakdown (original mix) dj icey - thousand miles plump dj's - plump yer butt bushwacka! - monster dj technique - my definition (lee coombs old skool acid dub) electroliners - loose caboose plump dj's - big groovy fucker jds - nine ways (plump dj's rmx) brainiac - neuro freestylers - now is the time mint royale - take it easy (plump dj's mix) humanoid - stakker humanoid (plump dj's 2001 retouch) Prizm & Eclipse - Genesis Prizm & Eclipse - Cyber Intelect Prizm & Eclipse - Freedom Prizm & Eclipse - Funky Bassline Prizm & Eclipse - Flash Prizm & Eclipse - Kinetic Prizm & Eclipse - Megabytes Prizm & Eclipse - Scream Prizm & Eclipse - Together Prizm & Eclipse - Positive Energy Factor-E - 20,000 Freaks(Fixx & Keith Mackenzie Remix) City-Wide Allstars - Who's Got The Love Rick West - On The Move DJ Sharaz - Clear The Floor DJ Fixx - Old Schoolin' DJ Volume - Keep The Crowd Hype Infiniti - Children Of The 80's DJ Icey - Bass Electrix DJ Josef Plante - South Coast(Auratone Remix) Redstone - My Love Will Surround You Jasp 182 Vs. Merlyn - Technique 7 Milez Of Muzik - Vertigo Scotty Oh! - Track 01 Scotty Oh! - Track 02 Scotty Oh! - Track 03 Scotty Oh! - Track 04 Scotty Oh! - Track 05 Scotty Oh! - Track 06 Scotty Oh! - Track 07 Scotty Oh! - Track 08 Scotty Oh! - Track 09 Scotty Oh! - Track 10 Scotty Oh! - Track 11 Scotty Oh! - Track 12 Scotty Oh! - Track 13 Scotty Oh! - Track 14 Scotty Oh! - Track 15 Cinthie - Nice Titts JDS - Punk or Funk Cirrus - Unbreakable Krafy Kuts & Skool of Thought - Soundcheck Tony Faline - Keep Goin' Dj Icey - Cross Eyed Sally (Robotic Ragga Mix) Dj Icey - Sign of the Time Hard Hop Heathen - Free Bass Hard Hop Heathen - Double Dove Dj Icey - Dirty Loop Lightning Anthony Rother - Der Hacker Drumattic Twins - Invincilble Bass Solar - Yohkoh Uberzone - Bounce (Rennie Pilgrem & Blim Secret Mix) Paul Grogan - Skuffle (Guerilla Pimp Remix) 16 - breaks mix final 17 - breaks mix final Rabbit in the Moon - bootleg - unknown Beber & Tamra - Travellin' On Sueno Latino - Sueno Latino (Bushwacka! Remix) Tokamak - Torldnya (Bushwacka! Remix) EZ Rollers - Bodyshock (Adam Freeland Remix) Stanton Warriors - Da Antidote Rennie Pilgrem & BLIM - Eskimo Meat Katie - Rotten Dot Com Creative Invasion Collective - Conundrum Rennie Pilgrem & Uberzone - Black Widow PMT - Gyromancer Plump DJ's - Scram Scratch D vs. H-Bomb - Red Pill Jackal & Hyde - Beyond Tayo & Precision Cuts - Fire Good 01 - Intro 02 - All right now 03 - Trip (Break) 04 - Pepper Spray 05 - Doctor in the house ( San Francisco mouse remix) 06 - Contact 07 - Triax 250 (San Francisco mouse remix) 08 - Mother f.. 09 - Straid ahead (Sigma 7 remix) 10 - Flippin´ 11 - Bumper 12 - Eat this.. 13 - Sejaiv 14 - Common´!! Tony Faline - Intro Tony Faline - Mind Over Matter (PriorityOneRemix) Kingpins - Are You Ready DJ Gumbee - Cant Get Enuff Tony Faline - Gettin Fresher Mike Anthony - Boom Mike Nice - Rockin The Show Tony Faline - Hard As You Can Tony Faline - Got To Have It DJ BabyAnne - Jax Tony Faline - Let Your Body Go Deceptionz - NRG Sugarwood - Sugar Uberzone - the freaks Uberzone - believe Uberzone - in beats Uberzone - the freaks (gettin' tribal) Uberzone - on beats Uberzone - Moondust (Moonbase Mix) Uberzone - believe (short mix) Wendel - Evolution of Breaks - Defstar Soundsystem - Bassgate Merlyn - Animation Stryke - Exists J-Breaks - Rokit Dj Spice - The Future Sharaz - Booty Bomb Illko - Tazer Monsoon - Africa Merlyn - Skywalking Jackal & Hyde - Seek & Destroy Return to Zero - Time for a Change
|
|
Sep 05, 02
|
|||
|
|||
|
Stuart Parker
5937 Kildare Place Surrey, B.C. V3S 6B2 Phone: 604-576- OBJECTIVE: To obtain a position that will allow me to utilize my training and experience and afford me the opportunity to learn new skills. HIGHLIGHTS OF QUALIFICATIONS: Production Labourer Skills: · Maintained high level of quality in all work · Learned three jobs pertaining to spa manufacturing (Drilling, Jetting and Plumbing) · Responsible for doing repairs (production errors) · Learned and followed all safety procedures Customer Service Skills · Gave friendly, helpful service to full service gas customers · Maintained a 14 pump station, 3 bay car wash and a convenience store · Worked as a cashier, giving fast and friendly service · Responsible for making sure customers follow all fire safety procedures · Received McDonalds’s Outstanding Employee of the month award (February, 1999) · Handled all complaints quickly and effectively Personal Attributes: · Proven ability to work effectively and efficiently, both independently and as a team player · Excellent communication skills · Excellent customer service schools · Quick and enthusiastic learner · Ability to get along with a wide range of personalities · Punctual, honest, and trustworthy WORK EXPERIENCE: 2001 Labourer ABER HOT TUB Mfg Ltd. Surrey, B.C. 2000-2001 Full Service Attendant CHEVRON CANADA LTD. Surrey, B.C. Stuart PARKER - Resume Page 2 of 2 1999-2000 Labourer COAST SPAS Langley, B.C. 1998-1999 Crew Member McDONALDS’S RESTAURANTS Surrey, B.C. EDUCATIONAL BACKGROUND: · Certified in Basic Fire Prevention and Fire Protection (2000) · Grade 12 Graduate, Lord Tweedsmuir Secondary School (1999) · Completed Super Host Fundamentals (1997) · Completed Super Host Customers with Disabilities (1997) · Completed Food Safe (1997) HOBBIES & INTEREST · Djing · Producing Electronic Music · Recreational Ice Hockey REFERENCES: Available upon request
|
|
Sep 05, 02
|
|||
|
|||
|
Company Name
Address City, State/Province Zip/Postal Code Telephone • Fax June 7, 1993 Lee Sanchez Northwind Traders 4200 Third Street NE, Suite 200 Anytown, WA 98999 Dear Lee Sanchez: As you know, your lease for office #200 in the West Coast Sales building will expire on July 31, 1993. Enclosed you will find a contract to extend your tenancy for an additional three years. The contract includes a rental rate of $495.00 per month. This rate reflects . Please sign both copies of the contract. In order to assist our planning we would appreciate your returning them to our office at least 30 days before the lease expiration date. A signed copy will be returned to you for your records. I trust that your tenancy in our building has been satisfactory. If you have any questions or suggestions for improvement, please do not hesitate to call me. Sincerely, Chris Fields
|
|
Sep 05, 02
|
|||
|
|||
|
° °
° ° ° ± ° °°±þÛÛÛ°°ßßßßßþ ßßÛÛÛÛßß ßßÛÛÛÛßß°°ßßßßßþ±°°° ° ° ßßÛ±ÛÛÛßß ßßÛ±ÛÛÛßß °ÛÛÛÛ± °ÛÛÛ ßÛÛÛÜ ÜÛÛÛß ÜÛ± ± Û²ÛÛÛ Û²ÛÛÛ ±Û±ÛÛ ±ÛÛ²Û ßÛÛÛ ÛÛÛß ÜÛÛÛ ° ° Û²ÛÛÛÛ Û²ÛÛÛ °²Û±ÛÛ ²ÛÛ²Û ßÛÛÛÛÛß ²Û±ÛÛ ÜÜÜÜÜÜÜ ± °°°ÛÛÛÜ Û²ÛÛÛ °Û°±ÛÛ ²ÛÛ² ÜÜÜÜÜÜ ÜÜÜÜÜÜ ÛÛ ²Û±ÛÛ ß Û°Û°°°±þÛÛ°°ßßßþ°ß Û Û²ÛÛÛ °Û°±ÛÛ ²ÛÛ²Ü ±ÛÛ²ÛÛ± ÜÜÜÛÛ ²Û±ÛÛ Û±ÛÛ² °ÛÛÛ± °ÛÛ Û Û²ÛÛÛ °Û°±ÛÛ ²ÛÛ±Û ° ±Û²Û± ÛÛ²ÛÛ ²Û±ÛÛ Û±ÛÛ² ±ÛÛÛÜÜÜÜ±Û Ü ßÜ Û²ÛÛÛ ÛÛ°ÛÛ ²ÛÛ±Û °° ÜÛÛÛÜ ÛÛ²ÛÛ ±Û±ÛÛ Û±ÛÛ² ²ÛÛÛÛßßßß ÜÛ Û Û²ÛÛÛ ßÛ°±ÛÜ °±±²² ÜÛÛ± ±ÛÛÜ Û²ÛÛ °ÛÛ±ÛÜ Û±ÛÛ± ÛÛÛÛ ÛÛÛÛÛ ÛÛ²ÛÛÛ ßÛÛ±ÛÛ²±±²ÛÛÛß ÜÛÛß ßÛÛÜ ßßÛÜ ßÛÛ±ÛÛÜÜÛÛÛÛß ÛÛÛÜ ß Ü Û ßÛ²ÛÛÛ ßÛßßßßßßß ßßßßßß ßßßßßß ßßßß ßßßßßßßßßß ßßßßßßß ßßß ßÛßßßßßßß ÜÛÛÛÜ PRESENtZ: ÜÛÛÛÜ Üßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßÜ Û Native.Instruments.Spektral.Delay.AddOn Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜß Û Üßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßÜ Û Û Û CRACkER HaRdLoCk Û Û SUPPLiER s0urCe_c0de Û Û PACkAGER Mister_Y Û Û CLASS Standalone/VST/DX delay app Û Û PRICE USD 149 Û Û FiLEZ 5 x [o-nisdx*.zip] [ 21.2 Mb ] Û Û REL# 206 Û Û Û Ûßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßßßß ßßßßßßßßßßßßßßßßßÛ ² ² ± ReLeA$e-iNf0 ± ° -=ðððððððððððð=- ° This AddOn includes all the presents and sounds from the original CD. The NI-SPEKTRAL DELAY offers exceptionally great possibilities for creative sound design - from subtle corrections and rich effects to the total alienation of the input signal. Never the less, the NI-SPEKTRAL DELAY is easy to use since all parameters are controlled intuitively and comfortably from a sophisticated graphical user interface. FEATURES: - Effects processor for real-time manipulation of audio material of any kind - Produces unique delay effects - Real-time Fast Fourier Transformation is used to split up each side of a stereo signal in up to 160 separately modifiable frequency bands - Level, delay time and feedback level for each of the bands can be set separately - Up to 1024 bands are calculated internally - Intuitive Edit Graphs with comfortable edit functions for setting up the parameters - Modulation effects applied in the frequency domain offer many processing options - Any frequencies of the signal can be attenuated or filtered completely - Runs stand-alone with MME, Direct Sound, DirectX, Sound Manager and ASIO or as a VST plug-in - Completely MIDI-controllable ± BUY this software if you use it a lot ± ² ² ² ² Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜß Üß ßÜ Û iN$tALL-N0tEZ Û ² -=ððððððððððððð=- ² ± ± ° ° Unzip, & run Setup There are some ugly bugs in the programm - they are NOT crackrelated, the original version also has this bugs: Problem: ======== If i try to apply the Spektral Delay Direct-X Plugin to a wave file it shows up an "Error opening File" nag! Solution: ========= Just click okay, never the less the effects will be applied correctly to the .wav. You also can use the VST version - there is no nag. Problem: ======== I´m a Soundforge 5.0 user. If i try to apply any effects from Spektral Delay DX Plugin it calculates a while, but i can´t hear the effect after it finishes. Solution: ======== Use SF 4.5 if you have it! At the moment you can´t apply any Spektral Delay effects to any open projects, if you use SoundForge 5.0! You can hear a preview of it, but it doesn´t appply it to the file. ° ° ± ± ² ² Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜß Üß ßÜ Û REspECt Û ² -=ððððððððð=- ² ± ± ° BLiZZARD - C.O.R.E. - DWP - TiTAN TMG - TRiNiTY - ZENITH - ZONE ° ° ± Radium ± ² ² Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜß Üß ßÜ Û MEMbERZ Û ² -=ððððððððð=- ² ± ± ° ARTiLLERy SHOCkTROOpS STORmTROOpERS ° Strych9 CrazyMofo Zullo MrWh0r3 Fat_slob JaZzMaStR B'moth Crypticon persephone ant!frog [cS1-X] HaRdLoCk UNiTY VoxAc30 MusicLovr CubaJoe cANdO Mister_Y pOlYLuX bug_hoover LoRD_SHaDoW MiA free&easy s0urCe_c0de UniSOn_ Smaug88 ° PX-II ° ² model500 ² ± Scarp3r ± ² hidden ² Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜß Üß ßÜ Û NEWZ Û ² -=ðððððð=- ² ± ± ° ° ° ° ± ± ² ² Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜß Üß ßÜ Û C0NtACt-US wANtED Û ² -=ðððððððððð=- -=ðððððððð=- ² ± ± ° OxYGeN@most-wanted.com cRAcKERS ° SUppLiERS ° ° ± Special thanks to p00p ± ² ² Û Û ßÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ Üß Ûß ßÛß Û LASt-UPdAtE:[02.17.2001] Û Û Û ßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜß
|
|
Sep 05, 02
|
|||
|
|||
|
YOU SHOULD CAREFULLY READ THE FOLLOWING END USER LICENSE AGREEMENT BEFORE INSTALLING THIS SOFTWARE PROGRAM. IF YOU DO NOT AGREE WITH THE TERMS OF THIS AGREEMENT, YOU MAY NOT INSTALL THE SOFTWARE AND MUST IMMEDIATELY RETURN IT FOR A REFUND FROM YOUR RETAILER OR SIERRA.
This software program, any printed materials, any on-line or electronic documentation, and any and all copies and derivative works of such software program and materials (the "Program") are the copyrighted work of Sierra On-Line, Inc., its subsidiaries, licensors and/or its suppliers. All use of the Program is governed by the terms of the End User License Agreement which is provided below ("License Agreement"). The Program is solely for use by end users according to the terms of the License Agreement. Any use, reproduction or redistribution of the Program not in accordance with the terms of the License Agreement is expressly prohibited. END USER LICENSE AGREEMENT 1. Limited Use License. Sierra On-Line, Inc. ("Sierra") hereby grants, and by installing the Program you thereby accept, a limited, non-exclusive license and right to install and use one (1) copy of the Program for your personal use on either a home or portable computer. You may not network the Program or otherwise install it or use it on more than one computer at a time. The Program may contain a Level Editor (the "Editor") that allows you to create custom levels, maps, courses or other materials for your personal, noncommercial use in connection with the Program ("New Materials"). All use of the Editor is subject to this License Agreement. The Program is licensed, not sold. Your license confers no title or ownership in the Program. 2. Ownership. All title, ownership rights and intellectual property rights in and to the Program and any and all copies thereof (including but not limited to any titles, computer code, themes, objects, characters, character names, stories, text, dialog, catch phrases, locations, concepts, artwork, animations, sounds, musical compositions, audio-visual effects, methods of operation, moral rights, any related documentation, and "applets" incorporated into the Program) are owned by Sierra or its licensors. The Program is protected by the copyright laws of the United States, international copyright treaties and conventions and other laws. All rights are reserved. The Program may contain certain licensed materials and Sierra' licensors may act to protect their rights in the event of any violation of this Agreement. 3. Responsibilities of End User. A. Subject to the grant of license hereinabove, you may not, in whole or in part, copy, photocopy, reproduce, translate, reverse engineer, derive source code from, modify, disassemble, decompile, or create derivative works based on the Program, or remove any proprietary notices or labels on the Program without the prior consent, in writing, of Sierra. B. The Program is licensed to you as a single product. Its component parts may not be separated for use on more than one computer. C. You are entitled to use the Program for your own personal use, but you are not entitled to: (i) sell or transfer reproductions of the Program to other parties in any way, nor to rent, lease or license the Program to others. (ii) exploit the Program or any of its parts for any commercial purpose including, but not limited to, use at a cyber café, computer gaming center or any other location-based site; (iii) use or allow third parties to use the Editor and the New Materials created thereby for commercial purposes including, but not limited to, distribution of New Materials on a stand alone basis or packaged with other software or hardware through any and all distribution channels, including, but not limited to, retail sales and on-line electronic distribution without the express written consent of Sierra; and (iv) host or provide matchmaking services for the Program or emulate or redirect the communication protocols used by Sierra in the network feature of the Program, if any, through protocol emulation, tunneling, modifying or adding components to the Program, use of a utility program or any other techniques now known or hereafter developed, for any commercial purpose including, but not limited to commercial network play over the Internet, network play utilizing commercial gaming networks or as part of content aggregation networks; provided, however, you are permitted to host matchmaking services for the Program for Internet play solely on a noncommercial basis (e.g., without charge of any kind and on a noncommercial site without any associated commercial activity, such as advertising or commercial linking or framing). Sierra has no liability and provides no warranty concerning Internet play performance of the Program. D. You must back-up to another secure location, on a regular basis, any data files concerning your use of the Program as Sierra has no liability for lost or corrupted data. 4. Program Transfer. You may permanently transfer all of your rights under this License Agreement, provided the recipient agrees to the terms of this License Agreement and you agree to remove the Program and any New Materials from your home or portable computer. 5. Termination. This License Agreement is effective until terminated. You may terminate the License Agreement at any time by destroying the Program and any New Materials. Sierra may, at its discretion, terminate this License Agreement in the event that you fail to comply with the terms and conditions contained herein. In such event, you must immediately destroy the Program and any New Materials. 6. Export Controls. The Program may not be re-exported, downloaded or otherwise exported into (or to a national or resident of) any country to which the U.S. has embargoed goods, or to anyone on the U.S. Treasury Department's list of Specially Designated Nationals or the U.S. Commerce Department's Table of Denial Orders. By installing the Program, you are agreeing to the foregoing and you are representing and warranting that you are not located in, under the control of, or a national or resident of any such country or on any such list. 7. Limited Warranty. SIERRA EXPRESSLY DISCLAIMS ANY WARRANTY FOR THE PROGRAM, EDITOR, AND MANUAL(S). THE PROGRAM, EDITOR, AND MANUAL(S) ARE PROVIDED "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR NONINFRINGEMENT. SIERRA FURTHER DISCLAIMS ALL WARRANTIES WITH REGARD TO YEAR 2000 COMPLIANCE OF THE SOFTWARE. SPECIFICALLY, SIERRA MAKES NO WARRANTIES THAT THE PERFORMANCE OR FUNCTIONALITY OF THE PROGRAM WILL NOT BE AFFECTED BY DATES PRIOR TO, DURING OR AFTER THE YEAR 2000, OR THAT THE PROGRAM WILL BE CAPABLE OF CORRECTLY PROCESSING, PROVIDING, AND/OR RECEIVING DATE INFORMATION WITHIN AND BETWEEN CENTURIES, INCLUDING THE PROPER EXCHANGE OF DATE INFORMATION BETWEEN PRODUCTS OR APPLICATIONS. ANY WARRANTY AGAINST INFRINGEMENT THAT MAY BE PROVIDED IN SECTION 2-312(3) OF THE UNIFORM COMMERCIAL CODE AND/OR IN ANY OTHER COMPARABLE STATE STATUTE IS EXPRESSLY DISCLAIMED. The entire risk arising out of use or performance of the Program remains with you, however Sierra warrants up to and including 90 days from the date of your purchase of the Program that the master disk on which the Program is furnished shall be free from defects in material and workmanship. In the event that the master disk proves to be defective during that time period, and upon presentation to Sierra of proof of purchase of the defective Program, Sierra will at its option 1) correct any defect, 2) provide you with a product of equal or lesser value, or 3) refund your money. 8. Limitation of Liability. NEITHER SIERRA, ITS PARENT, SUBSIDIARIES, AFFILIATES OR LICENSORS SHALL BE LIABLE IN ANY WAY FOR LOSS OR DAMAGE OF ANY KIND RESULTING FROM THE USE OF THE PROGRAM OR EDITOR INCLUDING, BUT NOT LIMITED TO, LOSS OF GOODWILL, WORK STOPPAGE, COMPUTER FAILURE OR MALFUNCTION, DATA LOSS, DATA CORRUPTION OR ANY AND ALL OTHER COMMERCIAL DAMAGES OR LOSSES. Some states do not allow the exclusion or limitation of incidental or consequential damages, or allow limitations on how long an implied warranty lasts, so the above limitations may not apply to you. 9. Equitable Remedies. You hereby agree that Sierra would be irreparably damaged if the terms of this License Agreement were not specifically enforced, and therefore you agree that Sierra shall be entitled, without bond, other security, or proof of damages, to appropriate equitable remedies with respect to breaches of this License Agreement, in addition to such other remedies as Sierra may otherwise have available to it under applicable laws. 10. Miscellaneous. This License Agreement shall be deemed to have been made and executed in the State of California and any dispute arising hereunder shall be resolved in accordance with the law of the State of California. You agree that any claim asserted in any legal proceeding by one of the parties against the other shall be commenced and maintained in any state or federal court located in the State of California, County of Los Angeles, having subject matter jurisdiction with respect to the dispute between the parties. This License Agreement may be amended, altered or modified only by an instrument in writing specifying such amendment, alteration or modification, which is executed by both parties. In the event that any provision of this License Agreement shall be held by a court or other tribunal of competent jurisdiction to be unenforceable, such provision will be enforced to the maximum extent permissible and the remaining portions of this License Agreement shall remain in full force and effect. You hereby acknowledge that you have read and understand the foregoing License Agreement and agree that the action of installing the Program is an acknowledgment of your agreement to be bound by the terms and conditions of the License Agreement contained herein. You also acknowledge and agree that this License Agreement is the complete and exclusive statement of the agreement between Sierra and you and that the License Agreement supersedes any prior or contemporaneous agreement, either oral or written (including inconsistent statements in written materials and online help accompanying the Program), and any other communications between Sierra and you. THE SIERRA NO-RISK GUARANTEE The Promise: We want you to be happy with every Sierra product you purchase from us. Period. If for any reason you're unhappy with the Program, return it within 90 days of your purchase for an exchange or a full refund. The Only Catch: You've got to tell us why you don't like the Program. Otherwise, we'll never get any better. Send the Program back to us within 90 days of your purchase, postage prepaid, along with your original, dated sales receipt and we promise we'll make things right. Disk and or Manual Replacement: Product Returns:* Sierra On-Line Fulfillment Sierra On-Line Returns 4100 West 190th Street 4100 West 190th Street Torrance, CA 90504 Torrance, CA 90504 *Returns valid in North America only. NOTE: To replace defective CD-ROM(s) please send all CD-ROM(s) and a copy of your dated receipt to the above fulfillment address, if less than 90 days from your purchase. After 90 days from your purchase, for replacement of defective Programs, you must also include a $10.00 check payable to Sierra On-Line, Inc. for shipping and handling fees along with all CD-ROM(s). For replacement Program documentation, you must include a $5.00 check payable to Sierra On-Line, Inc. for shipping and handling fees and a photocopy of the jewel case from the Program. Payment must be made at the time of your request. Sorry, no credit cards. Returns to this address valid in North America only.
|
|
Sep 05, 02
|
|||
|
|||
|
*** Installation Started 08/27/2002 18:44 ***
Title: Native Instruments Spektral Delay AddOn Source: C:\Unzziped\setupsda.EXE | 03-04-2001 | 16:52:04 | 5120000 Made Dir: C:\Audio\Spectral Delay Made Dir: C:\Audio\Spectral Delay\Presets Made Dir: C:\Audio\Spectral Delay\Presets\Jake Mandell File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\ j_mandell_presets_readme.txt | 11-21-2000 | 16:36:52 | | 8168 | 4bc50955 File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MCombs.aif | 11-21-2000 | 16:39:10 | | 330804 | e31e7e05 File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MCombs.sdb | 01-13-2001 | 04:49:48 | | 263470 | ff6113ae File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MGeneral.aif | 11-21-2000 | 16:39:12 | | 2065224 | ae1dcaef File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MGeneral.sdb | 11-21-2000 | 11:58:06 | | 263528 | ae011a7c File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MPipes.aif | 12-23-2000 | 03:38:24 | | 165430 | 841d4790 File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MPipes.sdb | 01-13-2001 | 05:02:06 | | 263539 | 27c9fed4 File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MResons.aif | 11-21-2000 | 16:39:10 | | 330806 | 21d97522 File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MResons.sdb | 01-13-2001 | 05:10:28 | | 263546 | 7215957a File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MUtils.aif | 11-21-2000 | 16:39:16 | | 2870292 | d9786fbb File Copy: C:\Audio\Spectral Delay\Presets\Jake Mandell\MUtils.sdb | 11-21-2000 | 13:08:12 | | 263659 | e4209b78 Made Dir: C:\Audio\Spectral Delay\Presets\Craig Anderton File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aGuitar.sdb | 01-13-2001 | 04:11:52 | | 263630 | 2d423394 File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aGuitar.wav | 12-22-2000 | 19:21:02 | | 944916 | 9b2349d4 File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aPianoLoop.sdb | 01-13-2001 | 03:58:10 | | 263835 | 1588c766 File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aPianoLoop.wav | 12-27-2000 | 12:08:28 | | 1476628 | 91826ac1 File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aVox_Miami.sdb | 01-13-2001 | 04:09:08 | | 263829 | bb0d69af File Copy: C:\Audio\Spectral Delay\Presets\Craig Anderton\aVox_Miami.wav | 12-27-2000 | 13:03:20 | | 1274492 | 213eb617 Made Dir: C:\Audio\Spectral Delay\Presets\FreQ Laboratories File Copy: C:\Audio\Spectral Delay\Presets\FreQ Laboratories\FreQ_Distortions.sdb | 01-13-2001 | 04:16:44 | | 263929 | 431c3a68 File Copy: C:\Audio\Spectral Delay\Presets\FreQ Laboratories\FreQ_Gates.sdb | 01-13-2001 | 04:21:40 | | 263893 | 6d2ad79 File Copy: C:\Audio\Spectral Delay\Presets\FreQ Laboratories\FreQ_Pan.sdb | 01-12-2001 | 05:08:32 | | 263746 | ecb5eb46 Made Dir: C:\Audio\Spectral Delay\Presets\Joerg Holzamer File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jDNB.aif | 12-27-2000 | 13:09:24 | | 249184 | 4a86ced8 File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jDNB.sdb | 01-12-2001 | 05:44:20 | | 263553 | 95212311 File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jHip.aif | 12-27-2000 | 13:13:10 | | 403040 | 214c97a File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jHip.sdb | 01-13-2001 | 05:22:40 | | 263574 | c43ce6d3 File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jHouse.aif | 12-27-2000 | 13:14:20 | | 323552 | f08e3e9d File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jHouse.sdb | 01-13-2001 | 05:24:32 | | 263506 | e869709f File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jSpektral Vox.aif | 12-27-2000 | 13:16:00 | | 499064 | f48ad9f3 File Copy: C:\Audio\Spectral Delay\Presets\Joerg Holzamer\jSpektral Vox.sdb | 01-13-2001 | 05:35:00 | | 263532 | 3e41698d Made Dir: C:\Audio\Spectral Delay\Presets\Kent Clelland File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KBeatBake.sdb | 01-13-2001 | 05:41:04 | | 263561 | 9bf6eb79 File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KBeatBake.wav | 12-08-1999 | 20:57:40 | | 1058444 | fb7bdf8 File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KFunk.sdb | 01-01-2001 | 01:04:32 | | 263553 | 50e8bb12 File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KFunk.wav | 12-09-1999 | 16:41:30 | | 470442 | b201d6ee File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KJungle.sdb | 12-31-2000 | 23:48:14 | | 263559 | eb0c201f File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KJungle.wav | 12-08-1999 | 16:12:14 | | 549476 | 6f7dc0fa File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KOlSkool.sdb | 01-01-2001 | 02:52:42 | | 263471 | 8bde7cfd File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KOlSkool.wav | 12-09-1999 | 20:47:22 | | 235242 | 9ca25348 File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KResonator.sdb | 01-13-2001 | 05:52:38 | | 263521 | 623aaeb5 File Copy: C:\Audio\Spectral Delay\Presets\Kent Clelland\KResonator.wav | 11-11-1999 | 12:58:56 | | 235242 | 675c9d65 Made Dir: C:\Audio\Spectral Delay\Presets\Len Sasso File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\Drones.aif | 11-14-2000 | 10:20:00 | | 5247404 | 347eeb30 File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\Drones.sdb | 10-27-2000 | 09:06:20 | | 263432 | a85d8aaa File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\SFX.sdb | 01-12-2001 | 02:26:16 | | 263617 | 4dda15fa File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\SFX.wav | 10-21-2000 | 14:58:46 | | 356980 | 36eb83f2 File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\Tutorial.sdb | 01-12-2001 | 03:05:04 | | 263487 | 3bea6d04 File Copy: C:\Audio\Spectral Delay\Presets\Len Sasso\Tutorial.wav | 10-18-2000 | 13:00:44 | | 1752000 | 9057ff2 Made Dir: C:\Audio\Spectral Delay\Presets\Omar Torres File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexBoogie.aif | 01-12-2001 | 01:05:40 | | 661344 | 322ebbe7 File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexBoogie.sdb | 01-12-2001 | 01:04:30 | | 263590 | 4309568 File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexBounce.aif | 01-12-2001 | 01:29:26 | | 336092 | aec6ea0 File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexBounce.sdb | 01-12-2001 | 01:22:26 | | 263570 | 8d78b4b0 File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexFunk.aif | 01-12-2001 | 00:38:26 | | 661600 | 422333ee File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexFunk.sdb | 01-12-2001 | 00:35:00 | | 263611 | 1cb1d6b1 File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexHouse.aif | 01-12-2001 | 00:38:36 | | 631972 | fdf7ce0b File Copy: C:\Audio\Spectral Delay\Presets\Omar Torres\VexHouse.sdb | 01-12-2001 | 00:15:52 | | 263559 | 2222443d Made Dir: C:\Audio\Spectral Delay\Presets\Uwe G. Hoenig File Copy: C:\Audio\Spectral Delay\Presets\Uwe G. Hoenig\FemaleVox.aif | 10-16-2000 | 17:20:00 | | 1841208 | b35d689a File Copy: C:\Audio\Spectral Delay\Presets\Uwe G. Hoenig\FemaleVox.sdb | 01-13-2001 | 07:33:54 | | 264038 | d76b9f47
|
|
Sep 05, 02
|
|||
|
|||
|
Joined: 13 Jun 2002
Posts: 41 Posted: Mon Jul 08, 2002 12:04 pm Post subject: FM TOP TEN BEST GEAR 1992-2002 -------------------------------------------------------------------------------- It's Future Music's 10th anniversary in a couple of months' time, and to celebrate, we're going to be looking back at the best things of the past 10 years: gear released, FM interviews and big events. We want you to choose what you think has been the best gear released since 1992. It can be - the most groundbreaking bit of kit - the most innovative bits of software - the bit of gear that *everyone* bought and still uses - that 'fad' synth that *everyone* bought but never uses You know the kind of thing Post your top 10 here or email it direct to me on lisa.mcgee@futurenet.co.uk And we'll be putting the results in our double-CD 10th anniversary issue (FM129, on sale 1st November), and obviously the Top 10s will be on here as well. And before anyone tries to include it in their list, yes, the TB-303 came *before* 1992 (long before...) Bye for now Lisa _________________ Will CD editor Future Music www.futuremusic.co.uk Back to top Even Steven Joined: 23 Jun 2002 Posts: 238 Posted: Mon Jul 08, 2002 3:19 pm Post subject: -------------------------------------------------------------------------------- Best gear I had in the last 10 years was in the Melkweg in Amsterdam. Err.. I'll get me coat.. Back to top soundgarden Joined: 29 Jun 2002 Posts: 24 Location: croatia Posted: Mon Jul 08, 2002 4:14 pm Post subject: top 10 -------------------------------------------------------------------------------- the most groundbreaking bits of software-1.reaktor 2.rebirth 3.recycle 4.vaz modular 5.cubase sx 6.hallion 7.waves plug-ins 8.acid 9.wavelab 10.ablleton live the most groundbreaking bit of kit -1.akai mpc2000 2.roland jv2080 3.yamaha rs7000 4.mackie d8b 5.alesis andromeda 6.korg triton 7.roland vp9000 8.kenton -live controller 9.yamaha sw1000xg 10.sherman filterbank the bit of gear that *everyone* bought and still uses-1.roland jv2080 that 'fad' synth that *everyone* bought but never uses -yamaha cs1x _________________ "all those moments will be lost in time like tears in rain" Back to top Even Steven Joined: 23 Jun 2002 Posts: 238 Posted: Mon Jul 08, 2002 4:43 pm Post subject: -------------------------------------------------------------------------------- Whaaa!!!! Cheeky C###!! I love my CS1x! The Ford Cortina of Acidhouse baby! Back to top pompomtom Joined: 20 Jun 2002 Posts: 957 Location: Location, Location! Posted: Tue Jul 09, 2002 7:27 am Post subject: -------------------------------------------------------------------------------- Rebirth. _________________ Buckets, pompomtom "Do not attempt to think or depression may occur." Back to top FilthyK Joined: 19 Jun 2002 Posts: 607 Location: Pennylvania, USA Posted: Tue Jul 09, 2002 1:25 pm Post subject: -------------------------------------------------------------------------------- 1) Mackie HR824's . . . hi-end quality available at an attainable price . . . good output rulez!!! 2) Fruity Loops . . . if a moronic, mucking Midiot like moi can make cool riffs with this thing so quickly, then the Great GUI has truly smiled upon us all . . . Layyyter . . . _________________ K is for Karma . . . Unashamed 824 Evangelist! Back to top MartinBSE Joined: 19 Jun 2002 Posts: 147 Location: Behind you! Posted: Tue Jul 09, 2002 5:20 pm Post subject: -------------------------------------------------------------------------------- Ground breaking kit: MC303 - it doesnt sound great now and was quickly superceeded but at the time it was amazing. It brought budget music making to the masses and opened the floodgates to the whole groovebox market. Ground breaking software: VST - not the software package itself but the technology which is now shared by most sequencers. Changed everything! Most essential piece of kit: Kenton Control Freak - still stands head and shoulders above the rest in the land of the midi controller. Martin _________________ Barking Spider Electronics UK Tekkno http://www.barkingspider.co.uk Back to top eivind Joined: 20 Jun 2002 Posts: 273 Posted: Wed Jul 10, 2002 1:44 am Post subject: -------------------------------------------------------------------------------- Groundbraking?? Direct Memory Access (DMA) - without doubt! _________________ Computermuso since intel8086 Hive made http://home.no.net/eifi Back to top trybe Joined: 20 Jun 2002 Posts: 64 Location: staring out the window when I should be working Posted: Wed Jul 10, 2002 4:06 pm Post subject: -------------------------------------------------------------------------------- Acciiidddddd! and just possibly Absynth - the most truly amazing piece of software I have ever heard......mind you don't have a clue how to program it _________________ most thrilling chilled Trybe Back to top tom-alone Joined: 20 Jun 2002 Posts: 87 Location: Hamburg, Germany Posted: Thu Jul 11, 2002 2:56 pm Post subject: -------------------------------------------------------------------------------- 1) REbirth 2) Reaktor 3) MC-303 4) Antares Autotune 5) Access Virus 6) nordlead 3 7) Protools Cubase VST 9) MPC-2000 10) Novation BassStation Back to top Gilboe Joined: 25 Jun 2002 Posts: 7 Location: New York City Posted: Thu Jul 11, 2002 10:14 pm Post subject: -------------------------------------------------------------------------------- No particular order... 1. Mackie HR824 Studio Monitors Great speakers, good price/performance, and looks to be the successor for the ubiquitous NS-10s 2. Triton Keyboard Workstation The first GREAT workstation. Motif has stolen the thunder recently, but this deserves the nod for reinventing the concept and popularity. 3. Roland MC-303 First great sounding, all-in-one piece that was within the price range of a McDonalds employee. 4. Yamaha RS-7000 Monster groovebox with so many uses it is frightening. This one is just getting ready to hit its strine. Sequencer, drum machine, sampler, idea generator, sound module and control surface uses... Watch out. 5. NI Reaktor Still above many people's heads, truly lets people know about the possibilities of the software revolution to come. 6. MOTU 828 Firewire Audio Interface Pro-quality, no-nonsense audio on a laptop... this one is a no-brainer. 7. Akai MPC2000 I don't use them, but I can't deny that I know TONS of folks who still do. Don't really know why, but this one is a monster, and also a no-brainer for best of in the past 10 years. 8. MOTU Midi Interfaces Still the best and most flexible MIDI interfaces available. It may not be sexy, but if your setup consists of more than a couple of peices of hardware, these babys open up so many possiblities. 9. Electrix Filter Factory Fun, wicked sounds, inexpensive and looks great in a rack... watch for these to get more popular in their discontinued status. 10. Native Instruments FM7 Why do I have hardware again? Someone, please tell me. Especially if this is the future. Back to top benwalker Joined: 13 Jul 2002 Posts: 7 Posted: Tue Jul 16, 2002 11:37 am Post subject: -------------------------------------------------------------------------------- no contest.....ReBirth Back to top Joey_Schmidt Joined: 16 Jul 2002 Posts: 7 Location: Glasgow Posted: Tue Jul 16, 2002 6:54 pm Post subject: Hmmmmmmm -------------------------------------------------------------------------------- Good one this. However, the best bit of kit I have is that TerraTec doohickey the EWS88MT. Combine this with Cubase VST, a decent desk, FX rack, TechnoX and a Deep Bass Nine then you have a setup to reckon with! Just in case yer wondering where a sap like me ended up with an EWS88MT, then I'll tell ya. I WON THE FUCKER IN THE COMPUTER MUSIC COMPRESSA REMIX COMPETITON. THE COMPETITION THAT NEVER GOT THE RESULTS HOSTED ONLINE LIKE PROMISED AND GOT A SHODDY 4 LINE PARAGRAPH AT THE BOTTOM OF PAGE 10 OF ISSUE 44. You figure it out. Back to top ArthuR SmokeS Joined: 23 Jun 2002 Posts: 20 Location: Leigh-on-sea Posted: Tue Jul 16, 2002 8:20 pm Post subject: -------------------------------------------------------------------------------- I think PCs have become quite important since 1992 _________________ Arty used to make music. Now he pisses about with websites like http://devoted.to/arty Back to top Andy Vernon Joined: 24 Jun 2002 Posts: 148 Posted: Wed Jul 17, 2002 4:28 am Post subject: -------------------------------------------------------------------------------- trybe wrote: Acciiidddddd! and just possibly Absynth - the most truly amazing piece of software I have ever heard......mind you don't have a clue how to program it LOL. Aciiiied Aciieeeed! - saw that video the other day, still rocks Anyhoo, most groundbreaking bit of softwares have to be Rebirth, Reason and Ableton Live. _________________ http://www.electromancer-music.com/A...hant/index.htm Back to top davidcarry Joined: 17 Jul 2002 Posts: 38 Location: London Posted: Wed Jul 17, 2002 10:19 am Post subject: -------------------------------------------------------------------------------- The Virus has to take a mention here - truely the most awesome virtual analogue. D _________________ Dave - aka Central One http://www.mp3.com/central_one/ Last edited by davidcarry on Thu Jul 18, 2002 7:38 pm, edited 1 time in total Back to top davidcarry Joined: 17 Jul 2002 Posts: 38 Location: London Posted: Wed Jul 17, 2002 10:21 am Post subject: -------------------------------------------------------------------------------- Cs1x is the fad synth everyone bought but never uses - I should know - I have one Does a nice job as a controller though. _________________ Dave - aka Central One http://www.mp3.com/central_one/ Back to top intelligent-life.co.uk Joined: 19 Jun 2002 Posts: 596 Location: england.uk Posted: Wed Jul 17, 2002 11:28 am Post subject: -------------------------------------------------------------------------------- As the Novation Bass Station has been mentioned (and rightly so IMHO) - how about the Supernova? - you could even mention the SN2! Sod it, just mention Novation Back to top smoof Joined: 18 Jul 2002 Posts: 89 Location: UK Posted: Thu Jul 18, 2002 6:36 pm Post subject: 10years -------------------------------------------------------------------------------- Hardware GROUND BREAKING: 1. Korg OAsys Project (spawned OAsys PCI, Z1, MOSS and more) 2. Kawai K5000s (additive synthesis) 3. Karma hardware and soon software 4. Microwave Xtk 5. FS1R 6. Supernova II 7. Emus Modules/Samples Z-plane modulation 8. Access Indigo2 (best compact synth) 9. Clavia Nordlead 10. Kenton Control Freak (they gave us control) SOFTWARE 1. SoundDiver 2. Gigasampler 3. Exs24 4. Rebirth (so much fun) 5. Tassman 6. Native Instruments Absynth 7. eMagic Logic 5 8. Antares Autotune 9. SoundFont (started many people off) 10. Acid Loops Bit of gear that everyone bought: Korg Triton Back to top epsilon Joined: 23 Jun 2002 Posts: 86 Posted: Fri Jul 19, 2002 2:58 pm Post subject: -------------------------------------------------------------------------------- Even Steven wrote: Best gear I had in the last 10 years was in the Melkweg in Amsterdam. Err.. I'll get me coat.. en wie ben jij dan wel als ik vragen mag Back to top BassHead Joined: 19 Jun 2002 Posts: 60 Location: Hampshire, UK Posted: Fri Jul 19, 2002 10:20 pm Post subject: -------------------------------------------------------------------------------- Groundbraking: The Korg Prophecy - for having the longest running back cover advert in the history of FM! Back to top orangefunk Joined: 21 Jul 2002 Posts: 12 Posted: Sun Jul 21, 2002 1:18 pm Post subject: -------------------------------------------------------------------------------- I think the most important pieces of technology are Reason (for fantatsic value for money esp in Reason 2.) and Cubase Vst (for the whole virtual concept). I struggle with thinking of any keyboard that was ground breaking duing 1992-2002 the way the DX7/D50 were in the 80s. Hmm... perhaps the Neuron and NOAH will change that... Back to top mirko Joined: 19 Jun 2002 Posts: 13 Location: Bern, CH Posted: Tue Jul 23, 2002 9:09 pm Post subject: my list -------------------------------------------------------------------------------- (in whichever order) Quasimidi rave-o-lution 309 (I discovered FM with this issue) DB50XG (XG for the masses) KeyFax PhatBoy (buttons that do noises ) Fruity Loops (ergonomy !!!) Yamaha FS1R (totally new approach) Yamaha DJX-1 (loads of functionalities for the masses) Alesis Andromeda (analog monster) Korg Kaos1 (it was *new*) Sherman Filterbank II (essential add-on) Cubase VST _________________ Artists call me a nerd, nerds call me an artist Last edited by mirko on Thu Jul 25, 2002 8:54 am, edited 1 time in total Back to top scri Joined: 27 Jun 2002 Posts: 16 Location: italy Posted: Wed Jul 24, 2002 9:23 am Post subject: -------------------------------------------------------------------------------- 1- reason 2- yamaha DX200 3- cubase ciao, scri Back to top mirko Joined: 19 Jun 2002 Posts: 13 Location: Bern, CH Posted: Wed Jul 24, 2002 9:47 am Post subject: hmmm... -------------------------------------------------------------------------------- scri wrote: 2- yamaha DX200 I am not sure I agree with this one as the PLG-DX daughter board already had these functionalities. _________________ Artists call me a nerd, nerds call me an artist Back to top Display posts from previous: All Posts1 Day7 Days2 Weeks1 Month3 Months6 Months1 Year Oldest FirstNewest First CM / FM Music Technology Forum Index -> General Discussion All times are GMT + 1 Hour Goto page 1, 2 Next Page 1 of 2 Jump to: Select a forum Computer Music / Future Music----------------General DiscussionSoftware DiscussionHardware DiscussionBeginners AreaCM Software SupportFM Hardware SupportFM/CM CD-ROM SupportThe Listening LoungeSell Your StuffOff TopicFAQ You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum Forum powered by phpBB 2.0.2 Forum code © 2001, 2002 phpBB Group Please read our Privacy Policy | Have a problem? Please Contact Us | Read our AUP
|
|
Sep 05, 02
|
|||
|
|||
|
Dope:
The MC307 is geared more towards turntablists. I picked up the MC505, and it's one sweet piece of gear with more knobs, buttons, and real-time control to play with. The part mixer is also somewhat similar to the RS and is one sweet way to control your grooves. Once you get under the hood and really figure it out, you can build your own tones with the most complex editability I've seen in a box to date. If you've got the bucks, I'd say go for the 505 -- you'll like it better. Also, while drifting off to sleep the other night, I came upon the thought that it's theoretically possible to plug the 505 midi out to the RS midi in, and the RS midi out to the 505 midi in; effectively allowing both boxes to control each other for some whacked results.
|
|
Sep 06, 02
|
|||
|
|||
|
^^This wuz some major whoring!! Good job! hehehe :D
|
|
Sep 06, 02
|
|||
|
|||
|
I am
|
|
Sep 06, 02
|
|||
|
|||
|
Soooo bored
|
|
Sep 06, 02
|
|||
|
|||
|
Rite now
|
|
Sep 06, 02
|
|||
|
|||
|
That I
|
|
Sep 06, 02
|
|||
|
|||
|
Think I
|
|
Sep 06, 02
|
|||
|
|||
|
Should do
|
|
Sep 06, 02
|
|||
|
|||
|
Some whoring
|
|
Sep 06, 02
|
|||
|
|||
|
On the
|
