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Simply Music All genres, hot artists, track ID and general discussion |
View Poll Results: Big trend for 2005? | |||
Drum n bass coming back and being badass | 14 | 25.93% | |
Supertrance is back, oh my! hands in the air | 7 | 12.96% | |
The year techno finally gets noticed? | 5 | 9.26% | |
we heart our locals | 8 | 14.81% | |
the end of the raves | 3 | 5.56% | |
sexy deep house takes over again | 2 | 3.70% | |
tech-house is king | 1 | 1.85% | |
fuck this, we just want T&A | 10 | 18.52% | |
Breaks - Convert them all! | 18 | 33.33% | |
Multiple Choice Poll. Voters: 54. You may not vote on this poll |
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^^^
Lex, some of those points are dead on. Honestly people, its hard to convert people who only listen to what is on radio and/or TV. I'm sure many of us have tried to convince a friend to listen to a electronica track, but most people assume its all techno. Techno seems to be the word of choice for non-listeners. `t1m |
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^Over the years I’ve really broadened my perspective on all genres so I'd assume you’re somewhat like me in that dept. The comparison really fits the bill of the person who's never been to a downtown club, never checked out a rave or seen turntables up close. These are tomorrow’s potential listeners who constantly wander 99.3 the fox , Z95.3, The Beat , JR Country, MTV and rap city with almost no curiosity for any other types of music. A prime example of a candidate that would fit this bill previously was Kevin, aka Kaos (my partner in crime). When I first met up with him he was pro-hip hop. Crates and crates of old school hip hop. The closest thing he had seen to trance was probably Chris Sheppard. He had some exposure to breaks (which appeared on a lot of his battle wax records) but never had a chance to hear some of the goods being produced down south. I respected him for at least hearing some breaks I had in my crate and from there he developed a taste for it. The best part about it is that he still maintains his roots yet has an overall appreciation for music itself. |
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i started loving electronic music by listening to oakenfold and sasha. before that i was playing top 40 and hiphop for years before that. as my musical taste has changed and matured over the years my record buying has gone from
haddaway - what is love to atb - 9pm till I come to hybrid - finished symphony to ed rush and optical - french kiss remix to meat katie - locked on so it's been seven years and now I wonder what is this new year going to bring... hopefully progressive is on its way back as it has been the biggest sound in the world every where else but north america. The Breaks have been kicking this lastyear so I think we all have a lot to be thank ful for there but yeah.. house is on it's way back yo. |
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Nu Skool breaks have been a staple genre for quite some time.
This past year, I've seen many of the artists and labels that have been fundamental in establishing the genre releasing house cuts with that same nu skool sound. Thought still in early stages, this is where I would like to see house music go. Through combining elements of tech house, progressive, dark uk garage, and nu skool bassline house in my own sets I hope to make this a sound people will come to expect to hear at parties and clubs in the future. At least that's the dream... :) |
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before i Even read past Wood's first post I must stop and say " that What I've been saying for two years now!" having been in the scene for just over 8 years i've seen soo many changes and this is number one.. back in the day it was all about MUSIC now it seems all about genre! why.. because it doesn't matter how hard we try to be different from society we can't change it from everyone being soo selective to one thing or another! as for me I'm on wood's side in saying.. let have MUSIC as the new/old trend! lets just have fun listening to it all!
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Wood said it before i could :) DNB has a very trancy and deep side, illskillz, concord dawn etc etc have put out some my favourite remixes and tracks this year and 2004 is looking bright.
My opinion is, some people dont realize that DNB puts out alot of variety from the dark chaos of Tech itch, dylan etc etc, to some funkier disco stuff that sonic+silver and marky and xrs have put out, dnb has influences from tonnes of music, sum people just haven't been exposed to these different styles yet in this town and get turned off by some of the harder DNB. pulling off a dnb set with a variety of all these sounds crafted together, instead of seperating them into categories of just a tech-step mix or just a jump up mix might bring new listeners to the world of DNB by showing that DNB can grab elements from ALL genres of music. For me, that would make a very interesting DNB set to listen to. I hear way too many people saying "fuck that trancy DNB" or "fuck that clownstep bullshit", and its sad. A more unified sound could push things forward into new territory. i Have heard some DJ's put out mixes with good variety, and i love it. As for this year, i can't see DNB just all of a sudden blowing up(i hope im wrong heh), But 2004 does look good for releases by Pacific and psidream coming up, and other local producers getting more exposure and improving their skills. I can more see DNB slowly progressing over the years into something big as long as people keep an open mind and put in some hard work. My 2 cents. Last edited by decypher; Jan 04, 04 at 05:12 AM. |
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We (josh and I) are looking into something fun to do this spring/summer for you all! so keep your ears opened and your eyes peeled! sound great?? And also just so you know man... I used to play trance many years ago! I still have my whole trance collection... perhaps i'll drop an old school trance set sometime! |
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Whoever said that 2003 was a shitty year for music was spot on. I hardly came across anything that stuck out and grabbed me like many years past did. Only FPU's Traxxdata managed that. For the most part I was just riding the retro/electro train while dipping my head back into prog/dnb/house/whatever territory every so often. So, here's my predictions in 2004 for the main areas of electronic-dom:
House: Will probably grow increasingly tech-y and electro in the popular side of things but will continue holding true to its funky origins in other areas. Expect a new Daft Punk single to completely change the way house is thought of yet again. Trance: The epic side will dwindle, with more proggy elements taking over again, remaining in the foreground. Goa, acid, and old-styled trance will continue to grow, if slowly but steadily, in popularity with underground shows, as trance fans look elsewhere for their post-epic comedowns. Perhaps even a dedicated club night may open up (heh... personal wish). Techno: The electro side of techno will fully take over (if it hasn't already) on the popular side. The rest will continue to meander about, producing solid, though hardly revolutionary, tracks. Breaks: More of the same. Nothing new to report. Jungle: Trancier jungle will gain a little more momentum but the dark side of things remain fully in the lead. Just beware of a few attempting progressive jungle... Downtempo: More jazz influences will take over from the Ibizan chill tunes. Hip Hop: Hmm... I got nothing on this one. Things get so unpredictble at times there's no use even trying. About the only sure thing to expect is that the next Dr. Dre/Eminem project will be 2004's best seller, irregardless of actual content. Oh, and be sure to look out for this style to breakout in 2004: Old-skool Tech-step House-core! |
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This thread brings up some great points and I fully agree with points made by Wood / Rev / Form
I am a trance dj who loves breaks, prog house/trance , DNB 2step , techno , ill enjoy playing a main room set, and then go dance in the breaks or house room, AM I A FREAK? I dont get it, I dont know too many others like me and its too bad, I feel sorry for people who are too "close minded" to allow themselves to experience more than one style of music............there is a unlimited world of audio out there people. Ive never really been able to express myself properly in this climate. |
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I personally would like to see the comeback of Oldschool breaks eg. pre 1999 - early Freestylers, Plump DJs, etc. When funk was funky. I'm probably the only one though.
And I'd like to hear more bassline house like the stuff Shift plays. Really electroish house is dope. Last edited by AWOL; Jan 07, 04 at 03:12 AM. |
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Theres alotta good points here. As everyone has pointed out, Wood's comment about people needing to follow music rather than separated micro-genres is bang on. Ever since i've started going to parties, people have always yelled and bitched for their lil genres and ended up getting bored (and blamed it on the rave scene rather than their own ignorance)
I've said this again and again but its up to the DJ's and the promoters to step the fuck up, bury easy money making antics and do something new, unique, real and straight from the heart n soul. The way i see it, Vancouver ravers are now bored. The product many promoters are offering to ravers is reused, boring and hey thats just bad business. Promoters and DJ's need to be far ahead in the game. They need to know whats hot now, and whats going to be hot for the next 10 years. The great thing about this is that everyone is going to have their own opinion about whats good and whats not, so theres the open door for unique sustainable competitive advantages. As for the masses who support promoters and DJ's, give yourself in and trust em... let them do their thing. If you don't like what you're hearing, find other promoters and DJ's to follow and trust me you will find many who will blow you away. Vancouver has some incredible talent that could make this city world famous. We all can work together (well its not even work its fun thats beyond fun) and make the scene great once again. It will happen i know it =) |
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"house music is going to make a come back.. "
what the heck? did it ever go away? all i ever hear in vancouver is house these days! even on west broadway its like every second bar is playing house.. there's house nights all over the city like there's always been. about the whole anti-genres thing.. i feel a lot differently than the lot of you for a couple reasons. first off, mixing up genres can be really confusing on the dancefloor.. part of what makes dance music "dance" music is a bit of predictability so that you can anticipate your next ass wiggle or whatever.. DJs or parties that can't make up their minds tend to be frustrating rather than innovating. i imagine that the only reason why you'd come across various different genres in one room at parties "back in the day," as cinto says, is because there just weren't enough DJs around to populate a playlist with artists of one theme. and i don't think it's fair to blame genres for high-school mentalities in party scenes.. personally i think it's great that some people become totally absorbed by one form of music in particular that they really love. it's only natural that they lost touch with others. this isn't something to be afraid of and doesn't create problems in itself.... it's only certain people that get stuck on blowing themselves up because they're into "the" Thing. and even still, genres are useful tools for differentiating between musics and shouldn't be constantly blamed and hated for creating divisions between people. it's trite, but genres don't divide people. people divide people. (yes, that was lame) even if every dance enthusiast listened to nothing but white noise all day we'd find ways to make fun of each other, wouldn't we? (well i know i would. ha. joke) |
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"a good DJ can create a flow & rock a crowd without being tethered in one style of music."
well ya, of course. but there's a big difference between simply being unafraid to step outside your pigeonholes and piling it all together, which is what you were suggesting before... "predictability = boring, people only think they need it because they're used to it, it's what they've come to expect." but predictability forms the entire basis of dance music. looped rhythms, hypnotic beats. try playing music in weird time signatures, even, and you're going to make a whole mess of the dancefloor. for there to be any connection between the dj and dancer there have got to be some clues. it's the reason why you go to drill'n'bass shows and mutekish experimental e-music gigs and literally no one is dancing. no one knows what's coming next... they just can't find a groove. (to be clear i don't mean predictability like "hooray, i heard this on z95 this morning.." i mean a structural predictabilty) anyway if you truly feel this way then you should get yourself out of dance and into art music. all dance music is predictable to some degree. it's implicit |
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^^ Maybe thats why he said, "a good DJ can create a flow & rock a crowd" , being able to change through musical styles while keeping a nice flow through the beats, keeping things interesting and the crowd moving. Of course all dance music has "looped rhythms", just cuz u can't find the rhythm in something "experimental" doesen't mean its not there. and alot of the "drill'n'bass" show's i've been to, there were plenty of people dancing. no need to hate.
`ez Last edited by decypher; Jan 11, 04 at 12:32 AM. |
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