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  #26 (permalink)  
Old Mar 18, 04
tomates seche a l'huile
 
Join Date: Feb 2004
ryantron is an unknown quantity at this point
..whoa..
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  #27 (permalink)  
Old Mar 18, 04
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1up motherfucker
 
Join Date: Oct 2003
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Quote:
Originally posted by Liam
the music comes from within, the machines/programs are just tools...

don't think with more gear you're better... don't think with less gear you're worse...

sucks to get flamed just for asking for someone to jam with...
He's not getting flamed for asking for a jam sess. I'm down with jam sess's. In fact, I pointed him to a site that is _EXCELLENT_ for finding people to jam with. I also made note that there's a lot of people who do know a lot about what they're doing and will work him, because, honestly, they will. More than anything I was warning him so he didn't act like The King Shit when he goes on there and have a little humility for the people who do know a lot about what they're doing.

But he throws it back into my face in a condescending tone.

And that is what is deserving of a flame.

I'll be sure not to try to help out next time.
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  #28 (permalink)  
Old Mar 20, 04
i wear my sunglasses@nite
 
Join Date: Feb 2002
ill-esha is on a distinguished road
i don't get that reaction either dave, because in fact i love to work with people that would "rock my ass".... i think you can learn so much from EVERYONE regardless of how much gear they have or how many years they went to school or what the fuck ever.

i still have people come into my studio that make tracks using reason, or even fucking impulse tracker, and everyone has their own unique take, their own production techniques.

ego is pointless. it's too bad i didn't realize that when i was fifteen and burning bridges with other djs left and right.
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  #29 (permalink)  
Old Mar 20, 04
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1up motherfucker
 
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ILLY! *tackle hug*

That is all.
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  #30 (permalink)  
Old Mar 21, 04
tiestn vancorstenfold
 
Join Date: Sep 2002
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Quote:
Originally posted by ill-esha
i don't get that reaction either dave, because in fact i love to work with people that would "rock my ass".... i think you can learn so much from EVERYONE regardless of how much gear they have or how many years they went to school or what the fuck ever.

i still have people come into my studio that make tracks using reason, or even fucking impulse tracker, and everyone has their own unique take, their own production techniques.

ego is pointless. it's too bad i didn't realize that when i was fifteen and burning bridges with other djs left and right.
can i rock your ass?
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  #31 (permalink)  
Old Mar 21, 04
JUNGALITHP MAATHIV
 
Join Date: Jun 2001
Rytalin is an unknown quantity at this point
Impulse Tracker!!!!!!

I fucking loved that program.
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  #32 (permalink)  
Old Mar 21, 04
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John RevoLover
 
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yeah reason....well for me i just cant get really excited about using this program as a standalone. its pretty frickin powerful and lots of people give up on it before they really use it to its full potential....im one of them.

i just re-wire the bastard into pro-tools casue thats my home and where im comfortable in working. so reason to me is just one big ass kicking instrument.

now if you want to write exclusively in reason and you want someone realy good...contact george(krusha). he dose some really nice work in reason.

now if you ever want your stuff mixed and masterd then i might be of some help.

Last edited by Revolver; Mar 21, 04 at 01:33 PM.
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  #33 (permalink)  
Old Mar 22, 04
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Quote:
Originally posted by Rytalin
Impulse Tracker!!!!!!

I fucking loved that program.
DAMN STRAIGHTS!

Back when I was discovering electronic music, I had impulse tracker and the KFMF was my friend.
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  #34 (permalink)  
Old Mar 22, 04
Registered
 
Join Date: Dec 2003
Japhrodisiac is an unknown quantity at this point
I just heard a guy who made some amazing stuff done on a (ready for this?) sony original playstation! Set up for sequencing, with a full video playback, his stuff was very cool in a retro-casio kinda way. Its always weird for me to see such a competitive spirit develop around art. Keep the ego in check, keep the flames to a minimum, try to learn from one another. BTW, real musicians do make the best producers, in my opinion
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  #35 (permalink)  
Old Mar 23, 04
Formula - fu2clothing.com
 
Join Date: Oct 2001
dj4mula is on a distinguished road
I know a bit about Reason 2.5, not really a beat maker more of an engineer. If you need help mixing, EQ and other forms of engineering I may be of service. Pro Tools 4 Me. Hollah.

Revolver, how well Does PT & Reason 2.5 sync with Rewire? I haven't tried it yet because I don't have PT at home only at school. I heard its pretty phat because u can use any instrument and record directly into PT.

`t1m
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  #36 (permalink)  
Old Mar 23, 04
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John RevoLover
 
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^its flawless.....all you do is click a re-wire input in the PT mix window and assign the instrument you want to use....same way as one dose i cubase.

only pt 6.0 and onward support re-wire.

so then PT just acts a a recorder for the reason module in use. no more midi arranging, just waves.

i love it...just like multitracking a band.
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  #37 (permalink)  
Old Mar 24, 04
drunk in montreal
 
Join Date: Jul 2001
Sean is an unknown quantity at this point
Those of you loving Impulse tracker or other tracker programs, be sure to check out Buzz (www.buzzmachines.com). It's a tracker on steroids with full VST instrument support (lots of bugs too though, be warned =P).

I've heard some brilliant productions made solely in Reason. Haak, MK-S, Endre, John O'Callaghan, etc have made a lot of top new trance tunes using nothing other. It never did it for me personally, but to each their own.
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  #38 (permalink)  
Old Mar 24, 04
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1up motherfucker
 
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^^ Llorca, a big name around the House scene, does all his work in Fasttracker II.

All instruments are tools. But, seriously, synthesizers are among the most useless instruments to learn how to play music on. Soft synths even moreso.

All the best electronic musicians I find can play something that _isn't_ a synthesizer.
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  #39 (permalink)  
Old Mar 24, 04
drunk in montreal
 
Join Date: Jul 2001
Sean is an unknown quantity at this point
Yeah, I think the key word being "CAN" play something else. It really does help to have a formal grounding in music.
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