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You see man, were talkin about two completely different styles, for making hard house and happy hard core your right, hardware is better, Im talking about sampling, and using it in conjunction with other programs and hardware, as good as it is to use hardware the only thing that is going to match up to a "dr.rex and recycle combo" for sampling is an MPC, and you still wont get as much diversity, and it would take ten times as long. Ive seen a ton of people discard reason because there too lazy to learn how to use it,(I almost did myself), But I also know a few very talented producers who use it, and you would be very suprised at what they would come up with. Some of your favorite producers probably use it too! |
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MK-S and Robert Nickson both use reason exclusively and make some of the best new trance out there at the moment. I never really liked it myself, but it's quite capable of making professional quality sounds with enough practice. If you think that cubase or logic will instantly provide you with way better sounding shit, then you're setting yourself up for some serious disappointment. |
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Logic 6 Pro. Enough said. My suggestion would be to learn reason as much as possible, then move to logic, logic sounds a lot less midi, and more complete as far as the exact sound you want.
Step 1 with reason. Learn signal flow. Learn where the signal goes after you hit a note on your keyboard. Keyboard, soundcard, 14:2 mixer (or MIDI BUS, depending on if you are bussing any midi information), Sound Device, FX device, then from there, it will go into your sequencer. When I first started working with reason, I programmed everything, if you don't have a keyboard, that would be the best way to learn. The Edit window (as opposed to your arrange window) is where you will be working the most. Note that once you start writting in information and flip back to your arrange window, you will see lil red lines reprezenting your audio. Select them as a group (1 bar, 2 bars etc), and hit CTRL G to make a region out of them for ease of use for copying, pasting, etc. Step 2 with reason. Mixing. you can do alright mixes within reason. I would suggest to mix in logic or cubase. Id probably say more so cubase than logic, b/c logic doesn't really like reason files unless you have a 6 db headroom with your audio MINIMUM. Therefore, when you are happy with your composition, solo every track (in your sequencer preferablly, you could do it in your mixer but if you are running more than one mixer, it gets ugly, fast.) name your tracks according to instrument/part/etc, then import your stems (individual tracks) into Cubase. Mix away. PS: for optimal audio quality, check your mix by summing it down to mono, whatever disappears, means it is cancelling with something else, the way you avoid that, is to add a little bit of chorus to it so that one is slightly nudged from what it would be cancelling with. I hope this helps. |
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recycle = stay away from. Make your own loops. Don't use Dr. Rex, its a lazy way to produce in my opinion. An Alternative. Sample Tank 2. It owns every sampler I have ever seen. A producer who I am working with right now, who has been producing for 25 years hasn't seen anything better. As a person who compulsivley studies the newest tools for electronic music production, I totally agree with him. Alternative 2. Kontakt. With Logic, as well, you don't need anything else. Sample Tank is still way better tho, but this is an ideal alternative. |