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ok.. it's pretty clear i think..... I go out when I wanna go out, as does pretty much the entire population. I love breaks and electronic nights, but I'm not going to go out to a night just to support and that alone. In a perfect world I'd have the money and flexible schedule to do this, but this ain't no perfect world.
We all have friends outside of the "electronic music lovers" clique we seem to have formed. Those people don't wanna listen to "techno" all night and would rather hit up other nights. I rarely go out and when I do, if I'm the only one that wants to go to an electronic night then, guess what. I'll end up at a top40 club or a bar. I'm not going to limit myself to hanging out with certain groups of people solely based on musical preference. Until it hits the masses, electronic music is gonna stay the way it is. House is the only one that has broken through. Hopefully there are more genres to do so. Also, last point, myself as well as a bunch of breaks heads ended up missing top nothc shows (ie: Evil Nine) because of bigger priorities( such as school and money ) , do you honestly think I would go to a local weekly night when I'm missing out on shows like that??? Don't take this the wrong way. I have tons of respect for the promoters but I'm just trying to voice my opinion. Supporting the "scene" isn't a priority and doesn't always mesh with plans. Last edited by Filo; May 25, 05 at 07:17 PM. |
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my opinion is that the problem 20Hz was having was that you guys want to charge $10 minimum for the door... hence eliminating a LOT of people from attending... the most your average person wants to pay to get into a club is $5... and most people don't even want to pay that... the best idea (to my mind and I'm no expert, obviously) would be to charge less at the door and then make your money off drink sales... honestly, the big names in breaks are all kinda whack IMO... Meat Katie, Dylan Rhymes, all those plod-step superstars... I never buy anything they ever put out on wax and I'm assuming that they play similar music to what they produce... therefore, the last thing I want to do is pay $10 or more to go see them play music that I don't want to hear... even the truly good names, like Hybrid, just can't convince me to part with more than $10... I'm barely surviving, working at Starbucks, I can't afford that kind of money every week and I don't think I'm really too crazy or rare of a type of person who wants to hear electronic music
to a person with a solid, decently paying job, it probably sounds crazy to read this... but a lot of people who are in the electronic music scene are struggling with money... they can't reconcile paying so much money just to get in... but once they're in they'll generally spend money indiscriminantly on booze |
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^ you have to understand that you just can't "make" the money from the bar. The grand majority of clubs and bars enter into a promoter/venue agreement where the promoters take the door and the bar takes the bar sales (and in some cases, the venue even demands some of the door). It's very rare that a club or venue will agree to a percentage cut to the promoters so the promoters have to cover the costs of the night somehow especially when there is a big act in town...
edit: for Thanatos |
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We have never run a weekly night with a $10 cover. Break Yo Self was $8 b4 11:30... $10 after. Totally resonable pricing for a weekend club night. Also we were not the promotions team behind BYS, just the resident DJs.
The Lotus twentyHz Wednesdays were $5 weekly. The Freeland & Pilgrem shows were only $15, Tipper was only $8.... i mean come on dude, cut us some slack. We never drove door prices up. Even the Vivid Breaks shows we did were reasonably priced. First 100 tix to Stanton Warriors were $15! Thats cheap... considering how much they cost to have on a Friday. As for making our $$ off the bar sales. I'm assuming you've never run a night at any of the clubs here in Van... but bar sales are the clubs sales. The door goes to the promoter.... so that theory doesn't work. I think many of the people are missing the point of the thread. Always happens on this board. Whatever.... i'm done trying to explain myself. -s |
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a lot of this I didn't know... forgive my ignorance... just my take on the situation, if the case was charging $10 cover... but it wasn't
either way, I don't think the Adam Freeland or Rennie Pilgrem shows would bring me out to pay $15... but that's just me, they're obviously the popular breaks DJs for a reason... just wish I knew what the reason was though, hehe |
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interesting thread. seems to apply to the electronic music culture (maybe more so breaks and drumnbass)
funny how i'm starting to really like breaks when all you guys are saying nothing is appealing to you. I think breaks has a HUGE club rockin potential. breaks and house are so much fun to hear at clubs like caprice. mixed up with some neptunes styles we got a sweet ass night. |
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that sounds horrible!!!! Last thing id want when out partying is having to go to a roped off area to drink and when i want to dance having 15 year old jail bait runing about!! fuck that!!! over here there are under 18's clubs that start at 6pm and end at 10pm usualy playing comercial pop ,trance ,hardcore or rnb. being a promoter im all for geting more people into clubs but not this way .i had to waittill i was over 18 to go out clubbing and drinking and it should defo stay that way. |
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^i hear that, i see enough under-agers at the clubs as it is
i think there's a whole bundle of reasons why club attendance is poor for breaks & electronic music in general... but as many have already mentioned, it's not the clubber's responsibilty to show up & 'support', it's the promoter's responsibility to present a product that genuinely entices people to come through the door. Single genre, electronic/dj nights have grown incredibly stale imo. People have other options, and they're choosing them because the majority of electronic nights haven't evolved since the heyday of the late 90's. It's not just top 40 clubs, it's also rock shows, retro/eclectic dj nights & other different kinds of parties that are pulling these days. If you're a promoter and you're not happy with your attendance, don't point the finger at the punters - take a look at what you're doing to make your night appealing. Because just playing this or that genre all night is not gonna do it! |
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why not have a night with more than one core genre? is that so evil and unappealing? as long as u don't throw truly crappy DJs on the turntables the night will generally do pretty good... just make sure you book talented DJs who know a fair-sized amount of people who are willing to come out and see them play at a club I would personally love to go to a club and hear it open with deep/funky house, then go into breaks, then end with some dnb or something like that it works for parties, why not for clubs? u don't have to specialize in just one genre just because you want to target a certain crowd |
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^all that said though, i don't think that's the reason why BYS failed... they had a good product & good marketing as well... i think that might have been more of a case of thye venue being a little too pricey (as in drink prices) for the targeted audience... especially when you've got The Met around the corner with it's rowdy vibe and budget drink prices.
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To be fair, I'm pretty sure Soda was ranting about the "punters" out there that don't support and then go bitching about the promoters not throwing "enough good nights in town" afterwards...
whatever happened to all the breaks/dnb nights in town? Not 3 years ago you could find a few nights that tended to open with breaks then go to dnb later on in the night... now these things are usually relegated to parties or raves... |
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scenes, interests evolve and change, I think things like that go in cycles. People grow up, move on, get jobs, sometimes they come back. I still think my original point was a good one, and is definitely the way this city is. |