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new dnb tracks
How can local artists get new tracks to be listened to without getting quick cuts?
I was at lotus tonight enjoying some great dnb... Krusha played a track that he made and i was loving it. It was dark, heavy basslines and seriously twisted. All of a sudden it was cut to some dnb with vocals, your average shit.. (still being good but a huge change from the dark dnb) If you were krusha dont you think you'd be a little upset if another dj just faded into another track.. having the listener not even respect what one producer put so much effort into? If i was playing at a party and a dj put on some amazing stuff that i've never heard.. fuck yeah, i'd let it play out and manage a set that i could work on using that track as the starting song to my set. Even if i wanted to go minimal, i'd ignore it and keep building. im really drunk so... krusha, that track you played was brilliant. |
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I once had a ridiculous demo CD given to me that had something like 72 tracks over the space of the CD. It was pretty much all teasers and cuts. Every time a bassline dropped it would last for about 4 bars.
Obviously if the crowd is digging it DJs should keep it going longer - but think about it. The only thing the DJ can really do to actually involve themselves in the performance is to mix and blend tunes that they think go well together. I have several CDs full of amazing tunes that people have made that are fresh, but I'm not going to play each one of them from beginning to end, nor am I going to rewind unless people start screaming their heads off. |
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well, it helps that the grand majority of modern dnb tunes are so frightfully boring and repetitive that you wouldn't really want to listen to the same tune unmixed for more than 2 minutes...
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um... myself included :P Last edited by dj_soo; Dec 21, 05 at 02:15 PM. |
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i have a theory about how since less people smoke now there are more non-smoking dj's, and the non-smoking dj's mix faster cuz that's all they have to do behind the decks.
same for dj's who don't scratch (like me) nothing else to do but mix since i'm sure as hell not gonna stand there and wait for 4 minutes.... 72 tracks on one cd... wasn't that angst? :P |
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I saw some guy with a bass guitar slung low who kept playing bass solos over tracks. It was cool. Vespers and Spence play sax.. Dabs, if it's too complex for you you could always try the harmonica, or the tambourine. ;) |
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Most I've gone through is 8 records in 2 1/2 min. (had to stack em), but that was just for an intro where i was just using short soundbites. |
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Twas I that cut George's track short the other night. No disrespect at all... if I had known the tune was his, it would have got the proper rinse out.
Its hard when your playing 1s with 3 other DJs, whom all play different styles of the sound. Dabs is right though... if a track ain't doing it regardless of who made it, you got to mix it up, cause its all about the dancefloor and not the punters around it. -s |
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^plus he was hammered!
i should point out when you're playing "ones" at the end of the night you shouldn't expect ANYONE to let a tune ride, the whole point of ones is to bandgi tout as quick as possible. george should have dropped that one earlier in his set. and i'm buying dabbler a kazoo for next week! the next thing you know he'll be signed to either technique or whatever hazard's label is.... "toooooot-tooooooot-toot-toot-toot-toooooooot-toooooooot!" |
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