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Personally, I feel a shitload more pressure when i'm at home and the record button has been pressed... |
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and my quote about re-recording had more to do with people that haven't had a chance to play out, don't know promoters and only have mixes to show talent. if all you have is a mix to get you going.......take a listen if you have to and re-record when necessary. and mofo-x.......i know quite a few people that are the same way. that record button is constantly on their mind! |
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demo cd's for the most part are kind of useless. its all about connections, especially here in vancouver. i only made demo cd's or put mixes up for download to get criticism and feedback. in my opinion, for bookings, its mostly about how strong your network is.
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I seem to break out in hives whenever the record button is pressed. I'm getting better, but.. yeah. It's a weird thing. Listening to a mistake back makes it grow larger and larger until you want to pull your hair out.
Plus I hate planning mixes so here's hoping when I press record that I magically program the perfect set on the spot, right? This is why it was over 3 years between my second "released" CD - (East Meets West Bass Tour 2001) and my third (Synchronicities). Now it's been a year and a half. Time to start pressing record *shudder* |
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Well, thats true for alot of local talent. You know someone who knows the guy throwing party A. But i think that they still can serve a purpose for out of town bookings. Drop a couple quality mixes around kelowna or alberta (examples) and you never know if someone likes it and wants to book a 'vancouver dj'. I dont think that the whole premise is shot, not 100% anyways. |
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Imho, the reason alot of people don't get booked because of their demos is that there is nothing special or unique about them. Why would a promoter book a no name DJ with an average demo who plays tunes similar to more well-know/established DJs. Last edited by angst; Feb 02, 06 at 01:45 PM. |
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I think ppl who are being so anal about demo's should realax. No one except superstars are going to come out with a perfect cd. Demo's are no walk in the park. When it comes to recording Im one of those ppl who really gets put on the spot and picky that ntohing works out.
I can understand if a dj is trying to give you demo with only a few tracks on it and or trainwreaks constintly it then becomes usless, but to have a few off mixes and nail the rest is what most dj's come up with. Ive even found some minor mistakes on some of my favorite dj's demos :p Whats really funny is sometimes im a little proud of any off mix's... at least im not one of those dj's who cheet and record in patches and then put it all together to make it seem like it's perfect. To me a demo is mainly to show someone the kind of music you play, then show you have the basic skill to play live. However like some have siad alot of bookings happen with out a promoter even bothering to listen to the demo. So its more just like a buisness card sometimes. But really I dont think its fair to base a DJ primarly on their demo. With alot of them I never hear the tracks or styel alot of dj's play on their demo live. Or some are much better live than what they can make out of a cd. Last edited by Ree Fresh; Feb 01, 06 at 09:21 PM. |
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BAHAHHA I can understand too well. I sware im cursed when it comes to demos. The amount of times my computer has frooz while mixing, lost my master mix, the burner breaks, cant send to another computer, cant transfer files, someone walks in or the phone rings right in the middle of a mix etc etc... Even when I go to someone els's to record ive had the most random things happen that f*ck everything up. Please DJ's tell me a demo is this hard to make for you all? |
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i like it when a mix is a one-shot live off the floor just like at a club or party with all the little mistakes that ALL djs make kept in.
that shows you have some skill. im always very impressed when i notice a dj recovering from a botched mix with skill and ease. thats the mark of a professional |