Quote:
Originally Posted by R Wellbelove
LOL at beat port top 10 list, so true. But I think were in a tough stage of evolving and change right now. Even wood himself can admit it. I wont argue that vinyl sounds way better than mp3 and made a dj's collection individual and unique. But if you look at the pros vs cons, saving 80-90% per track and being able to take 1000's of tracks instead of 80-100 tracks to a gig... Its a hard one to fight.
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Yeah, but I personally find having the 1000s of tracks to pick from is almost a bit overwhelming for the DJ. Encourages sloppy selection, which can be really sad because it sounds brilliant on paper... ANY SONG YOU CAN CHOOSE FROM! Not to mention, you can have a uniquely different set every time you play. Sure, keep yer favs but you can rotate your filler tracks around those so that they're never the same, right?
Except this gets into two DJ practices that I personally think kill the whole artistry of DJing.
1) Having filler tracks
2) Making the process so easy that there's no effort involved, and therefore we get nothing new or different from dj to dj.
Douglas Adams had this lecture before he died where he spoke about how true creativity in art occurs when the artist is restricted, or limited. Taking away limits to your sets - IE only having the records in your crate/bag, versus having a 3-week long MP3 collection, eliminates the necessity (and as such the opportunity) to be creative.
Maybe I'm waxing a bit ideologically, and as this thread shows the results don't hold in a practical world (we're down to... what... Vinyl, Beatstreet and Neptoon?). But I dunno. The market is depreciating but I don't think it'll ever go away completely.
Time will tell I suppose.