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MP3 VS Vinyl
Man...
I grabbed a cd deck last week and have been playing mp3's as well as vinyl at home. What a difference in sound, never really realised how big of a difference. I am a fan of vinyl personally. I'm not sure how to describe it, but it sounds a lot nicer for the most part. |
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I'm totally not qualified to even post in this thread because I don't make a hobby out of playing other people's music, but I love a lot of older jazz, soul and other stuff and you just can't reproduce the sound you get from that kind of music on well loved vinyl. besides, legally purchased high quality mp3s vs a mint condition copy of james brown live at the apollo? no competition.
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Ps... I like the comment about playing other peoples music as a hobby Myra lol. |
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1. vinyl releases are all mastered by a real mastering engineer. digital files can easily get away with not having their stuff properly mastered. 2. vinyl has a much smaller dynamic range so there will be a lot more compression. it will sound louder but wont meter louder. |
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Not really. A poorly mastered digital release sounds just as bad at the club (or anywhere else for that matter) as a poorly mastered record...
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^yeah but i think what he's getting at is, if somebody puts an unmastered tune online, it's likely going to get dl'd and played out by DJs who either can't tell or don't care that it isn't mastered, whereas a tune *has to* go through some type of mastering process in order to make it on to vinyl.
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that a poorly mastered digital file will sound just as bad as a poorly master vinyl release. mastering for vinyl is a completely different animal. the joe blows who are able to release stuff digitally can get away with not mastering their track properly or not at all. it will probably sound quiet with a lot of peaking or have pumping going on but you'll still recognize the track. if you were to do the same thing for a vinyl release you wouldn't even recognize the tune. it would probably be really quiet, the peaks would distort, it would skip all over the place, and pretty much everything above 1 KHz would cease to exist all due to the riaa filter. big difference. so digital files can be released regardless of how good they were mastered. vinyl ALWAYS goes the a real mastering engineer. vinyl can still be mastered poorly but whoever mastered it poorly knows 100 times more about mastering than most of the people masting their own digital releases. Quote:
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This plugin is pure magic for mastering.
iZotope Ozone - 64-bit analog modeled mastering effects for Pro Tools, VST, MAS, Audio Unit, and DirectX audio applications |
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Obviously there are more physical limitations going to vinyl, which in turn makes mastering more important. The point I was trying to make is that to the end listener a shitty sounding track is a shitty sounding track, and that proper mastering shouldn't be written off just because a song is going to be released digitally. In retrospect I probably could have worded that a little better in my first post.
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i totally agree. i was just trying to explain the variation in perceptible volume on digital releases. |
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Lots of folks grab their mp3's at 192 which is ass quality.
But it's a lot harder finding stuff that's 320. vinyl sounds better and will always have a place in my heart but for convinience, CD/mp3/storage devices are the way to go. |
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