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Also another little addon here with the prices that tickets are going for these days you would expect the DJ's to be paid fairly no matter what they do. I mean it's not like we the party goer can demand a refund cause the rave was bunk or whatever we are shit out of luck stuck in a over heated hole full of whatever the hell is in rave air and a highly overpriced ticket. But again just my opinion Last edited by BongMan; Apr 16, 06 at 05:39 PM. |
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I'm not a DJ. . yet, but I AM a musician. It's hard work to build your skills up enough to play a gig, and it does cost a lot of money, in most cases. But seriously. Why did you start playing in the first place? Who really picks up an instrument and says "I want to make a lot of cash once I learn how to play this well?" Nobody. None of you can deny that you picked up your instrument for the sake of playing. For the sake of fucking music.
So it's hurting some people's wallets because promoters would rather book a mediocre FREE set as opposed to paying for a slammin act. Here's some advice, from one musician to another: If you're that good, it won't go unnoticed. |
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lighter and no worries about random ravers bumping the decks. |
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venue's rent/lease. liquor license. bartenders. waitresses. busboys. security. coatcheck. liquor. that's your basic shat too. on top of any damage, someone's the janitor and incidental costs. assuming everything goes smoothly. then you can start spending money booking talent and organizing a party. all before you've made a single $. so for every 'shady' promoter there's been a million good ones that have been fucked over. |
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Riiiiiiiight. By that logic I should be happy working my 60 hours a week while only getting paid salary for 40. I'll remember to thank my employer next time I have to put in more time for the same pay because they are doing me a favour.
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But im still confused, how can I be hardly a dj when im playing out regurarely at decent events. |
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i personally dont equate the two like that job = work dj'ing doesnt = work and personally speaking. getting an extra half hour to spin at a party to me is a bonus. i see it as a positive and not a negative. i like being up there playing out. if there was a contract for a set time and set pay.. when the time slot was gonna be changed that is your time to renegotiate pay. not after. just sayin |
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it goes both ways. |
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imo, just because you enjoy it doesnt make it not work. should teachers who love thier jobs get pay cuts? |
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You may not equate the two like that but the fact is your performing a service and that service should be compensated accordingly, weather you love it or not. I love my job but I'm still not going to work for free nor should my employer presume that I would work for free. :)
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for sure, I totally see where your coming from but those are the type of things that are worked out before hand while finalizing the contract. My guess is with Dj'ing everything is done verbally so its a bit more complicated to make sure everyone is on the same page so to speak.
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on the other hand i seem to be getting places just fine... Prod note = id rather be doing it than spinning as a profession but producing since 15 though, hard to believe that you knew what a sequencer was back then let alone how to arrange a track. actually n.m... you can beat box quite well so that is an advantage to arranging a track. Quote:
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but whatever... im not worried about it... its just sad to see the scene go to shit cuase of stuff like this. all these posts remind me of a chat room didnt fnk have a chat room back in the day? |
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but this is all waay off topic. the fact is, too many promoters in vancouver (and other cites, i assume) take thier dj's for granted, and the attitude that "you should be glad you got to play such a good timeslot" is a terrible one. |
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for a new dj or one just wants to get their name out... its a good opportunity for a veteran, its a waste of time, guaranteed theyve seen their share of decks to play on |
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the way i see newb vs experienced
Newb: Plays tracks that have been raped by others (doesnt know what an alias is), beatmatching is a task, cant keep steady with the beatmatching Experienced: Mixing and beatmatching is second nature, track selection (new tunes and always upto date with the latest releases and music drama) and reading the crowd. Knowing labels and what genres they cater to releasing. this turns into the fork in the road.. smart djs will turn to djing to increase their wage, a reason to charge more... |