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I find it funny how allot of djs get soo caught up with the djing that they inherit the "I MUST GET PAID" mentality... i know the veterans dont have a prob cuase as wood stated, sign a contract or deposit...either or...life goes on, if you didnt get paid... shit talk, it works, ive seen plenty of one party companies die due to drama...
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Regardless of whether or not I am a DJ and understand the way that it works, I still think that if you provide a service, you should get paid fairly for it and what it's actually worth. It's ridiculous that tickets, especially for Evolve events, start out at $40-$45 (and of course no normal person can actually get their hands on them once Attila buys his own tickets and then sells them for more) and continually climb to outrageous prices for a hole in the ground venue like the MLC. If the promoters are making that kind of money (regardless of how much it costs to put on the production, because we all know it doesn't cost as much as they are making) they have no excuse but to pay the DJ's well. I've never heard Rhia personally, but all I've ever heard are good things about her. Regardless of whether you're a crappy DJ or not, you are suppose to be paid.
Situations like this though, are only a foreshadow of things to come for certain companies. One day, it's gonna be a big headliner that's gonna get ripped off, and when that happens, no doubt karma will bite back at certain promoters. So Rhia, although it sucks right now, and I do sympathize with you and having to work with the unfairness that Attila presents to the table... what goes around comes around. In the end, you'll be the one laughing. The points you make about the amount of money that is made off ridiculous ticket prices is disgusting and disturbing (although success shouldn't be, it just should be done fairly) and until something is done to change it, just keep on spinning with your head high and don't drop any ambitions, it will pay off. |
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Good thread, but there's two huge points to keep in mind (for the club and party scene)...
- There aren't enough events/slots/parties for even one quarter of the dj's in town to play at regularly. If you are playing 2 times or less a month, its a hobby. With the scene drying up and less events, then maybe get together with other people and do your own small/medium/free/expensive/ripoff/massive shows... Any amount of discussion will not change the fact that there aren't enough slots. - Since alot of the things that are being brought up here are about the early or late slots... more places are liable to do what the Red Room does, open later! Its better to their bottom-line, and causes a bigger lineup. I know of alot of events that open early strictly to allow young dj's a chance to play, not because they want to open earlier. In the end, if you don't want the gig, aren't comfortable with it, don't like the promoter, feel they are disrespecting you... Then don't take the gig Personally all these one hour slots are ridiculous anyways. but again, its mainly due to people showing late, to having too many dj's in town and more then that, alot of dj's who are very hardheaded about their sets sometimes and play the wrong stuff. No getting paid at all for a $30+ ticket is insane Last edited by REV; Apr 17, 06 at 12:58 PM. |
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You called me weeks before the show, requesting a better timeslot, which I gave to you, so you could better showcase your "skill set", I thought you'd be happy with that. You never once spoke to me (or Attila) regarding payment. So we went ahead and budgeted an amount which we thought you were deserving of. You say you've tried to resolve this issue without bringing it to the boards, why have I never heard about it from you until now? Why also, did you not simply have the forthrightness to confirm or negotiate your rate prior to the show. You can never assume a promoter will read your mind with regard to how much you expect to get paid. Other DJs we contracted for the show made a point to call us and confirm their payrate prior to the event. Bri, for example, explained why we needed to budget extra cash for MC Kay's travel expenses as she'd be coming from the island. We immediately did so as Bri was able to give us a valid reason for the increase. Further more you left the party with the money that was given to you and never made a fuss about it until later. If there's a problem when I get paid, I don't leave that promoter until I have that cash in hand or have it explained to me why its not there. Rhia, I love you hon, but honestly, what reason should Evolve be forced to pay you more money after the fact? DJs playing our future shows should take note: Yes, I get annoyed when I get ten calls from each of you regarding your timeslots, I know we can't please everyone, but I don't get annoyed when you call to arrange payment details, if anything I respect you guys more for being business savvy and showing initiative. So if anyone needs to contact/pm/phone me to this regard, please do so, I won't bite and I'm more than willing to discuss it with each of you. |
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Wow, theres been a lot of good points brought up in this thread. I know all too much what it's like to put out way too much money on records and not be have any income coming back from it. Like has been brought up, a lot of the parties I play at are the smaller ones thrown by friends. In these cases I usually just go by the rule that if they make money, I expect to be paid, if not then I wont cry about it.
However, having played at a fair few massives over the years, you can find that some companies, without a doubt, dont give a shit. Having been billed as a "healiner", playing at peak hours only to not got paid at a collisuem massive charging waaaay too much at the door, I know what its like to feel the shaft. It's all too fucking shifty. This was part of the reason I was thinking about giving the whole shit it up.... Hopefully things will start to turn around. Just gotta learn who to trust, and who are shifty, greedy motherfuckers. |
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Who cares what annoys you? Promoting is hard work. And please, do not take for granted that you would not have a show if it wasn't for the DJ's. |
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I always thought of God more as an emcee but anyway. My honest take is that WAY to many shity DJ's play out in this city all the time. Should they get paid? No. Should they be playing out? No. They should be in their basement practicing and playing house parties and so on. At the end of the day it's up to the promoters though so what can you do. My suggestion to any DJ out there that does have it going on, is to promote their own shows and book talented line ups. |
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If a set fee is agreed upon both parties then in no means should it be changed on how ticket sales, door sales, etc etc for the show do. When we do any show we do pay our locals but there are some that don't get paid but we do compensate them for the next show AND take care of them at every party Last edited by Harp; Apr 17, 06 at 03:03 PM. |
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Last edited by Harp; Apr 17, 06 at 03:11 PM. |
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DJing like any other industry its all supply and demand. Other industries need workers so much that there is a premium on their labour.
There are too many DJs in this town, and generally which local djs open up for headliners is largely irrelevant to people that buy tickets. Of course i support local djs to the fullest. But DJing isnt the only industry where there is a huge gap in pay between amateurs and established professionals. If u had a written contract, that is a different story. There is alot of shady promoters in this town, that is just the reality. |
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All I can say is, evil deeds get evil rewards...karma sorts itself out.
Just curious due to richard pyra's comments on the first page were sort of...anti-evolve-ish....was mr. pyra coming from a completely free standpoint or did something happen between him and evolve, since I knew him and atilla kind of started the ball rolling together to a degree. edit: and for the record, of the handful of DJs I talk to on a regular basis, or read threads about, or whatever, only times i've heard of payment issues was with evolve.. |
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I could sit here and list off dirt on almost every promoter in town, but I'm not going to out of respect... think about it.. |
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Okay, granted it bothers you and that is legit, but getting back to the original point, what does this have to do with how much DJ's are paid in proportion to what is charged for an event and how many people are attending? I don't hear a lot of people complaining about timeslots in this thread. Of course it's annoying for you, and DJ's can probably go on about how much it bothers them getting the shaft for a timeslot, but that is not the topic at hand here. |