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alright so admittedly, i stopped reading at the 6th page, so i dont know if my point has been made or is fully relative but here it comes anyways.
i think as any type of artist in vancouver, you get screwed. as a painter in order to get a show at most places firstly you have to make the show of paintings - cost could vary from $200 - $1000 to more depending on the peices, then you apply for the show and pay a jury fee just so someone looks at your work depending on the gallery ive seen the jury fee be from $25 - $100, then if you get the show the gallery usually takes 30% + for commission. wonder why artwork is so expensive in most galleries? work out the money factors, add on the artists time and the fact that they are doing what they love\putting their heart and soul and sweat into these peices and the prices sky rocket. i compare this to dj's. dating one and at first blindyly thinking "how the fuck can he spend over $2000 on records a month?... why does he need another turntable?... wasnt the first mixer good enough?...." but then i realized\saw the passion and love and witnessed him making people dance and smile and have fucking great times and memories and knew he couldnt help but spend the money. its what he loved to do, and he deserved to get paid for doing what he loved. why? because they are making something that is consumed. you may not be able to touch it, but you sure as hell can feel it and hear it and see it. its taken me a long time to realize as a painter that i really shouldnt give any work away anymore\should make more profit. yes, im doing what i love and enjoy, but it costs me sometimes an arm and a leg to produce it. yes dj's are doing what they love - music pumps through their veins, but that shouldnt devaluize their worth. money\not getting paid is one of the reasons my lovely boyfriend slowed down on the dj department - and i know im biased but im positive most who heard him knew he had something amazing going on. it just wasnt affordable to do. i realize more then most people that passion is something that you sometimes get dragged through - ive gone to the art store and spent a whole paycheque only afterwards realizing that i had bills that would now have to wait another 2 weeks to be paid.... aside from the bills of records and equipment how about the hours spent practising and learning, watching and more practicisin? shouldnt artists\dj's be rewarded for this in some way? vancouver may seem very accepting to the arts and to new music, but i personally think this part of vancouver is dying. i've seen it kill a bit of my brother for a month or two - after massive success in halifax and japan he moved back here and couldnt get a show if his life depended on it. once your inside the "scene" its never as sweet as it seemed. talent should be paid for. dj's are performers and artists, they spend years practising and working on skills, they spend thousands of dollars on equipment, they work crowds, make parties\clubnights go thye deserve to be paid. yes they are doing what they love, but that doesnt mean they shouldnt get paid for it. alot of teachers teach out of passion, should we not pay them because they are doing what they love? |
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As far as pay for Djs in this city, it fucking sucks. This is the 1st place I've been to where promoters make serious serious coin off of doing these parties and either pay the locals poorly, not at all or try and be shady by not paying the agreed upon amount. It's bullshit and no one seems to address these issues. Promoters know they can get away with it and so they take advantage, especially since there's up-in-comers who will play for free. The problem with that is the line-up suffers b/c good Djs have to be compensated. If I'm paying these ridiculously high ticket prices, I wanna see the best locals, not some hacks that'll play for free or just started spinning. As a promoter, telling DJs you can't pay em b/c you're losing money is completely unacceptable. If the party bombs then the only one who should be taking a hit is the promoter. I've been spinning for over 10 years, played all over north america, opened up for some of the biggest jungle Djs out there and I don't really get booked here because I will not play for $50, which seems to be the going rate. I can't fully blame the promoters though because it's the established DJs who have driven the rates down as well by playing for peanuts. When I've told promoters how much I charge, I've been told on numerous occassions well (insert established DJ name here) will play for $50. Bottom line is that many promoters here are in this strictly for the money and will cut corners at every turn b/c they know they can and that the party people don't really give a shit who they book b/c they're going to the big rave regardless of the line-up. |
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What about designers? http://www.fnk.ca/board/showthread.php?t=93566 |
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Ummmm First of all yes she even said she was expecting 100$ an hour, as you said she deserved... Thats per hour, she was asked to play longer there for should get paid more, and not short changed and having to go back for her money. Thats pretty pathetic th that she was short changed in the first place to the point she went back. Rhia doesnt do this as a career she may not have posted it in this thread but in a thread that she does have a good job. And im pretty sure if she couldnt beat match she wouldnt be playing all the places she does, and ive heard her so i kno she can. And if she is as bad as you say then its pretty stupid for your brother to hire her right? Obviously your wrong. |
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Thus why I decided to go latin a little while ago...the girls and the booze, yum yum
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PS - They also paid her quite well. |
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I think after 2 years you finaly understand not only beat matching, mixing, flow of tracks, but how to actualy OPEN for a DJ and not play banging trax at +8 on the pitch. |
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In some ways I agree with Wood that DJ's should be paid regardless. However Promoters and DJ's do need to work together to keep this industry alive. No promoters = No DJ's and vice versa. Ive watched many respectable promoters who truly promote for the right reasons. It breaks my heart to watch them try to bring in new talent or try somthing new and watch them loose it down the drain. It really doesnt hurt me at all to play for free for a promoter who didnt make it that night... they usualy make it up by booking you again or giving you g-list ;) |
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I find it funny when I thought of giving Atilla a chance agaisnt his "reputation"... TWICE!?! I was proven wrong. Quote:
1) I know of DJ's who have not been paid or paid in g-list *rolls eyes* OR You pay most your DJ's penuts. 2) How was I paid on skill level when I was paid $50 to play for 45 minutes a year ago at Sinful... and paid $75 for 90 min a year later at Pink? If you go back to the 1st post I bolded what Jay tripwire said "an aspiring DJ should be paid 100/hr." 2a) Some think that I was asking for more money because the party did well and thnking I should get a cut or somthing. NO, I am simply asking to be paid for what I am worth. Most places I play I am doing an opening spot or playing at a party that did not do well... I therefore wont complain or ask for the full $100 hr/. However when I see ppl at the door being charged more then double what im being paid for in a semi headline spot... THATS OUTRAGOUSE. The promoter could obviously affored to pay aspireing DJ's 100/hr and didnt. Thats my problem. As for your beat matching comment... I hardly remember seeing you hanging around my sets recently to make a judging coment like that. As for Pink the sound in that room was some of the worst ive played on. It literaly sounded like metal mud. I dont know how you could expect anyone to play properly on the sound in that room. Last edited by Ree Fresh; Apr 19, 06 at 06:59 PM. |
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